Showing posts with label Staff Writers. Show all posts
Showing posts with label Staff Writers. Show all posts

Sunday, August 24, 2014

LA Guns Still Cocked and Loaded at the Whisky

mike RitchieFrom The Pit – Music and Show Reviews

By Mike Ritchie

Of the many, countless 80’s era bands, LA Guns were one of the few big names that not only carried the city’s initials but had several big hits, toured the planet and even when grunge came to change the world, kept the sunset strip flame burning from the late nineties to present day.

 

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With songs Electric Gypsy, Never Enough, Kiss My Love Goodbye, Rip & Tear and the monster Ballad of Jayne they played a blues laden, bullet spread, booze, babes and biker blazoned path to rock n roll infamy. Even today, though a bit older and wiser, putting out new material with Hollywood Forever they played the Whisky Friday July 25th like seasoned pros, turning back father time’s hand proving, there’s no place like home.

 

 

ShockShock!.... Shock!

Before Fear Factory pops in your head Shock , a talented cover band and original tune maker from Pomona California, compared to Rush, Blink-182 and Wolfmother they’ve won fans from Florida to Tokyo, where the band was formed. The young trio could also be future top porn stars, but would probably have to drive to Vegas now, but their single bears it all and well with a tongue in cheek video accompanying its mix of punk, 80’s metal and pop prowess. The Rock Can’t Stop nor can the post-hardcore punk pop sound it’s powered by.

They could play all night but instead play tribute to LA Guns Michael Grant’s former band EndeverafteR.

Signal CityLA young upstarts Signal City have garnered press playing numerous shows, completed 35 songs, playing their first single Fortune. They’re a punky, poppy energetic group in its infancy but are poised and driven by strong desire and a love of songwriting and performing.

Calgary, Alberta native Eddie Black’s trail to the Hollywood stage is unique. After winning a 2009 Star Search competition and opening for Collective Soul on Canada Day the band headlined Super Nova’s Summer Warfare Tour. A meeting with Steve Vai sent him to Nashville opening for Patricia Conroy and Michele Wright among others. He’s been featured on Calgary’s Feel Good Radio Station Up 97.7 with new songs and a video following.

eddie blackEddie Black throws It All Away on the first tune bringing a different indie rock style to the stage. Lonely Night started with some guitar soloing progressing with some background acid-rock-like effects tripping on Bob Dylan and other legendary six string on the back gunslingers, in the shadows. Can’t You See had some guitar slide interplay ending with some “wah wah”, Congo drums and background harmony giving off an almost Beach Boys vibe. Every Step I Take surprises, opening up with heavy guitar and wavy vocals, perfect for a midnight entranced mad-dance at the beach party.

One More Day felt like an early Nirvana demo that never surfaced with Black’s voice giving subtle hints of Kurt’s haunting tension without the grief and angst. Broken Hearts finished with an electric guitar dance and “Dylanesque” vocals.

Force of HabitDixon California, 2013 Kings of the San Francisco Battle of the Bands, Force of Habit (possibly named after the Exodus album but not confirmed) came on stage to wreak havoc playing a punk/hardcore/metal sound with shades of Exodus, Anthrax and SOD. Influenced by a wide range of bands from Maiden to Godsmack and Papa Roach to Skynyrd, their sound and songs are quite Nuclear. The sorrow filled emptiness on the opening cords of Give Up and Die rocked into its mean spirited but heavy sentiment.

Broken’s opening notes carried an almost haunting country/honky-tonk feel mixing the bizarre by product of a drunken night with a bunch of hardcore misfits and rockabilly horror punk band. The mosh pit friendly teachings of Fall to Your Knees hit hard in the face with its breakneck speed. Kobe Waste’s fingers were all over the fret-neck on Trial by Blood.

scarlet vice DSCN3819Next up Scarlet Vice from right here in Southern Cali, formed in 2011 and they’ve already burned up the local scene playing up and down the coast with more venues to come. They’re young, hungry and starving for the success that they’re willing to earn.

Influenced heavily by Malcolm Young, Izzy Stradlin, GNR, Motley Crue, Slash, Velvet Revolver and recently Skynyrd and fueled by their own musical desires, they bring their boot licking rock, shiny bottled liquid poisoned blues to the stage along with all the trappings and excess you’d expect from a band trying to make their mark. They may enjoy indulging from time to time but feel no pressure in living up to stories of the past and are focused on building their own legacy.

scarlet vice DSCN3856You’re the One has that nasty, dirty rock sound that’s got a few road stories behind it. Having that roadhouse, raunchy sound made famous by Faster Pussycat and LA Guns they’re a mixture of 80’s-modern day rock/blues with a few nice touches of sleaze. The long term relationship challenged Backdoor Lover wastes no time with its “wham bam” intentions. They’ll be your Boogey Man, from the voodoo haze of New Orleans to the booze stained strip of Hollywood. The Whisky is just the beginning as they plan on blazing a trail through all of LA and outward hopefully playing with Dead Sara, other locals and someday Slash and the Devil City Angels among others. An EP is coming soon at www.scarletvice.com

permacrushFormed in 2005 Permacrush continue to play the strip and lay their own style along the sacred history paved sidewalks, four albums into their own. They’ve opened Whisky shows for Faster Pussycat, Don Dokken and Stephen Pearcy. Love 2 Hate U was a bluesy janglin’ jammer with some punk fused riffs while Punchdrunk took the slow echoing melody chords of 80’s heavy ballad territory delivering vocals of Scott Weiland and Scott Stapp from Chris Crush. Is morphing glam and grunge musical heresy… historically speaking? Or could it be a unique twist/take on genre styles? Permacrush ends with Break U Down, a hard rocking blues number with some grungy sounds mixed in with the sometimes mocked ‘yarling’ vocal. They could be the band that successfully unites two historical strongly opposed rivals (or at least one accused of ending the other) into one big happy, hair sprayed, spandex flannelled mutated family.

hard way DSCN3956The Hard Way started as the brainchild of Eric Jeffreys , former singer of Boston’s Expose. The short version: Alcatrazz bassist Tim Luce laid done some groove and vocals on a track Jeffrey’s was working on with Joe “Drock’ Johnson. Luce’s studio/tour experience played a massive role in The Hard Way’s development. Adding the skill and knowledge of Ampora’s John Huldt added a whole new level. Only a man that’s toured with Lita Ford, Vinnie Vincent Invasion and Slaughter could keep time, the hard way, enter Bobby Rock. They’ve performed with a who’s who of the Sunset scene including Lynch Mob, Faster Pussycat, Enuff Znuff, Bullet Boys and Tuff among many others.

They started with A Long Way to Heaven, a hard blues driver with whipping guitars. Watching Jeffrey’s on stage was a bit like a collage of Meatloaf and a masculine version of Janis Joplin with a raspy, whisky strong leathered voice, who’s lived through ‘a few’ wild nights and unpublished backstage book excerpts.

Hard way DSCN4008How the fuck ya doing Hollywood? Jeffrey’s welcomed one and all to his decadent birthday bash at Sleazefest. Only in Hollywood on Sunset could they do it right. Two lovely ladies joined the performance as the next tune was dedicated to all the girls because everyone knows a Diabolical Bitch. Those scantily clad nasty necessities will sooth and seduce before they screw… you over.

It ain’t easy being sleazy (a saying that if not born on the strip, should’ve been). The next song Jeffrey’s dedicated to the sleaziest, sluttiest, dirtiest, fuckin, crack addicted whore that he’s ever known. If you have the money this girl will reenact 2 girls 1 cup, by herself. She’ll blow goats, any f’n nasty ass disgusting thing you want… if you have the money. Of course he was talking about… our ‘beloved’…. United States Congress. The dirty f’n whores. Ironically the mic briefly went out before he could announce the title. The electric eye must’ve been watching as they started I Can See You Lying. A thunderous drum solo by Mr. Rock segued into That Ain’t Love. Coco and Stephanie rejoined side stage for one more song, and then Jeffrey’s promised we’d drink until we all roll under the table and vomit ourselves into oblivion. “You with me?” Dedicated to Tracii Guns, this one was called Cave Woman. A new CD is coming.

DSCN4076The Guns start old school going back to the beginning showing absolutely No Mercy to the crowd. For all the drinkers, smokers and fornicators, time to talk about love and Sex Action. We’re cocked, loaded and ready but it’s Never Enough. Baby, I Wanna Be Your Man, he’s a good catch.

DSCN4098As late night fell over the west coast we got an otherworldly vampiric stare down and went out screaming with a crash, bang and burn in flames with the slow, sludgy, blues mood of Over the Edge.

Our first taste of immortal Hollywood Forever, don’t love them, they seem to attract the wrong attention. They enticed with a Hollywood Vampires offering of love. Reach out and kiss it goodbye. They started a Revolution with guns in the air, bringing the dead along, as the mic collected souvenir bras and underwear. After band member introductions we got a slice of our favorite pie that’s tasty, seductive and could be considered disgusting (based on condition). No the other one, with the slinky stain that’s ‘eelectrificing.’ Backtrack to the 80’s headbangers heyday with One More Reason.

DSCN4125We got covered in Sabbath and some fairies played LA style. The roar and rumble of the Electric Gypsy calls from the open road as does the echoes of poor sweet Jayne. The opening riff of Rip and Tear signals the end of the show with sleazy, sweat fueled bravado.

The encore brought us the nocturnal Hollywood retrospective Vampire. All the cool shit happened when the sun went down. They end with the pure Gypsies Soul. They’ve kept plenty in the chamber after 10 records, 30 years of touring and an uncountable amount of unspoken and… unspeakable stories never to be shared.

 

 

Scarlet Vice, Hard Way and LA Guns photos by Mike Ritchie all others courtesy of Facebook.

Read more from the pit articles and reviews by Mike Ritchie on his web site www.coveringthescene.com


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Tuesday, July 22, 2014

They’ve come to Rock Your Face Off, KIX Proves their Metal, More Powerful than ever!

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slider-coverKIXRock Your Face Off to be released August 5th, 2014 – Available by Pre-Order Here

Rock Your Face Off on Loud & Proud Records http://www.loudandproudrecords.com

Album Review and Commentary Interview with KIX Guitarist Brian Forsythe KIX:

Review and Interview : Joseph Timmons – Xombiewoof Magazine

 

In December 1977 a group that would be in the eyes and ears of hard rock fans worldwide appeared on the stages of Hagerstown, Maryland and then everywhere possible. Hitting the club circuit six nights a week for three straight years resulted in the band cultivating a huge local fan base and led to their first record contract. Releasing their self-titled debut in 1981 titled “KIX” this band would become in a whirlwind favorite filling every club and stadium without hesitation.

Many years and albums later, like all the bands of their day, they continued to build and grow, change and evolve, members leaving and returning, taking breaks and reuniting, but I am glad to say, the boys are back in town and they’ve come to, as they say Rock Your Face Off!

Color2014MarkWeissPlatinum-selling Maryland hard rock icons KIX heed the audience's call on their long-awaited seventh full-length album and first for Loud & Proud Records. It has been almost 20 years since their last studio effort, 1995's Show Business, and the boys—Steve Whiteman [vocals], Brian "Damage" Forsythe [guitar], Ronnie "10/10" Younkins [guitar], Jimmy "Chocolate" Chalfant [drums] and Mark Schenker [bass]—return with a raucous, roaring and real display of rock 'n' roll.

KIX is Jimmy Chalfant, Ronnie Younkins, Brian Forsythe, Mark Schenker and Steve Whiteman; together this Hard Rockin’ Metal powerhouse has come up with what is anticipated as the largest release of the year, at present, KIX is touring the globe to support the album’s release this August 5th, 2014 to a fan base that has never forgotten the band that spoke to their generation, and now to the next generation, and generations to come. With the support of Loud & Proud Records, KIX has gone into the studio and come out with blaring speed and driving power.

"In many ways, this is for the KIX diehards as much as it is for us," Brian explains. "When we started doing this again, tons of fans came out of the woodwork. They'd show up with their kids, and it was just incredible to see. We had to deliver for them."

24495_104320689609720_2828889_nRock Your Face Off is an audio thrill ride, and from the album’s title track “Rock Your Face Off” to “Can’t Stop the Show”, “Rollin’ in Honey”,” All the Right Things”,” Inside Outside Inn”,” Rock & Roll Showdown” and the song that has become an internet and radio wide sensation “Love Me With Your Top Down”, KIX has come back to the global stage hard, fast and stronger than ever, it’s been 20 years since their last album and they have made up for lost time with a passion and a vengeance, time has had no effect on them, none what so ever!

As a drummer, any artist or group I listen to has to have a good backbeat; it makes all the difference between a good album and a great album. With Rock Your Face Off, the first thing I noticed is the timing is impeccable, the beat master Jimmy "Chocolate" Chalfant is unstoppable, his measure is matched equally by Mark Schenker on Bass, and it is with this steady and unwavering rhythm foundation that Ronnie "10/10" Younkins and Brian "Damage" Forsythe work their Guitar Voodoo, power chords blazing with leads and solos that excite the senses. Last but definitely not least it is the spine tingling vocals of Steve Whiteman that steals the show and hearts of the ladies, his talent is only matched by his wit and sense of humor, a trickster by trade. This album is not a return to the 80’s schmaltz or a comeback revival, theirs is an evolution, the next step in musical mastery and is one for the books, a band that beat all the odds then, and exceeds all expectations today.

In order to deliver, the band enlisted the talents of producer Taylor Rhodes [Aerosmith, Ozzy Osbourne] with whom they had last collaborated on 1991's Hot Wire. Also, for the first time in the group's history, each member contributed to the writing process, fostering an extremely creative and free environment in the studio. A new dawn commenced as they simultaneously harnessed their classic spirit. Meanwhile, Taylor helped preserve the band’s vision. Brian adds, "He knew the feel of the band and kept us on the path towards that direction. He understood our energy and what the listeners would expect. We also took everything to the next level together."

544149_10151925466583965_983735490_nIn addition to having the pleasure of listening to this album before the public is that I am going to interview one of the founding members of KIX, Brian Forsythe to get some inside information and the background on this masterpiece of metal.

Joe: Brian, It’s been a while since the last KIX album Show Business, not including the Live in Baltimore released in 2012. The songwriting on Rock Your Face Off is amazing, as a long time KIX fan, I know I was blown away when I heard you were going into the studio, and even more impressed now, after hearing Rock Your Face Off, I want to ask when did you as a group realize you had the right material for this album? Also, what was the writing chemistry, who did what and how did the team work the creative process?

Brian: “We had not planned to do an album until we released our live performance DVD, once we did that, we realized, WOW, we need to come up with a record. We threw all our ideas into one big pile and went from there, the material was all over the place, and was a long process to sort through and find the right material. This album was over a year in the making.”

Joe: KIX has the rep for being a hard working band, mastering all the elements of a song, their stage presence and creating an element of excitement in every crowd that sees a show, how has the fans response been when you performed the new material?

Brian: “Playing live has been an adventure, we play about one to two shows a week, we are all still in pretty good shape but we are definitely more devoted to the performance and brining quality to the stage. We play gigs with the feeling and energy our fans expects, and we look to making new fans just as devoted.”

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Joe: I know you have been playing and touring for a while, but playing live and working the studio are two different worlds. How was it being back in the studio, was it a natural feeling, or did it take some time to get the magic flowing?

Brian: “Well, a lot has changed in the industry and with us as a group, I have been recording with Rhino Bucket and other bands, and we are familiar with the new technology. In the old days, we would go to a studio and then be in lock down until we were done, but now we did parts in our own studio prior the master mix. Once we went into the real studio it was easier, the chemistry was an interesting aspect, we all had a chance to contribute to the songwriting, and it was truly a group effort, making it a new experience for all of us.”

Joe: Well Brian, enough about the technical aspects of Rock Your Face Off, I am sure the readers want to know the behind the scene stuff, what’s some of the “Wild and Crazy” stories you can tell, at least one that’s legal in all 50 states? Feel free to change the names to protect the innocent...

Brian: “Wow, we’ve had some pretty crazy experiences on the Monsters of Rock Cruises, you have to remember, and it is like a giant floating hotel. You walk out into the area where the people are getting to the stage and there is no escape once the realized who you are, you can stop to say ”Hi” to one person because if you do, one moment everything is cool, the next moment; you swamped and can’t make it to the stage. Another time, we were at a concert for another band, were in the audience, and we just went to see a show and someone noticed us, within moments we were getting way too much attention; it got so bad security got involved”.

Joe: Brian, I want to thank you for the interview, what’s next for KIX, when can we expect to see some videos, any Television engagements, where can we see KIX Play?

Brian: “We will be making several show stops to promote the album, you can get all that information from our website http://www.kixband.com , as far as future plans, we are looking to do a major tour, still up in anything, …… within reason”.

Joe: Brian, do you have any Last Words for our readers?

Brian: “We appreciate all of our fans, they are super loyal and supportive, East Coast to West Coast, we had no idea that there would be so many people that still remembered us and would want to see us so badly, it is an inspiration and we love you. To our new fans, check out our web site http://www.kixband.com and get Rock Your Face Off, you will be just excited to hear it as we were to make it”.

I really enjoyed our brief, but exciting interview with Brian “Damage” Forsythe, Rock Your Face Off is truly a great album, if you have yet to hear “Love Me with Your Top Do”, here’s your chance to let KIX Rock Your Face Off!

Check out KIX on their official website http://www.kixband.com, Follow them on Facebook, YouTube, Instagram and Twitter. KIX will definitely Rock Your Face Off, get ready, they’re coming for you!

Also, Check out the other great artists in the Loud & Proud Arsenal – Visit http://www.loudandproudrecords.com.


Tuesday, September 17, 2013

PrimeVibe: New Technology That Makes Music Sound Natural Vintage

 

524891_578205615536868_2110222220_nNo industry has more innovation on a daily basis than the Music Industry, and whether it is in the recording studio or in live performance, it all begins with the Musical Instruments that are played. With this, there is a constant drive to find the purest sound an instrument can produce, and there have been some great flops as music is over sampled and over produce, yet there has been one innovation in recent years that is astounding, and it is named primeVibe.

A small family business based upon the vision of a musician with the foresight to see what could be rather than what was has created a device that uses sound waves to “prime” an instrument to create a softer and richer, more natural tone and sound. This device, known as primeVibe, can be used on your most favored instrument, or new instrument, giving it the warmth and tone that is unequaled by remixing or sampling.

our first endorser, Peter Czajer of Bohema

Ronny North

 

Artists ranging from unsigned to signed musicians such as International touring guitarist Peter Czajer of the group Bohemia to the legendary Californian Metal Guitarist Ronny North, endorse PrimeVibe with enthusiasm and complete trust. primeVibe is creating a new industry standard, and until now, has been a well-guarded secret, Xombiewoof Magazine has the “Tech-Specs” and the story of a technological vision become reality.

 

 

The primeVibe - Product Technical Specifications: 534244_641412602549502_678560100_n

· Stereo 7 watt per channel amp and Amp has blue power indicator LED

· Illustrated instruction manual included

· Amp speaker terminals on rear: spring type

· Transducer wire length approximately 1 meter

· Combination power/continuously variable volume control

· Two transducers, each 55mm x 17mm (diameter x height)

· High gloss finish for easy cleaning with clean, dry, soft cloth

· Switching power supply with quick-release US and European style plugs

· Amp Dimensions: 1.13 x 3.94 x 4.2 inches…28.7 x 100 x 106.8 mm

· The contact surface on the transducer underside and the outer jacket of the transducer wire leads are smooth high-density rubber with some silicone content.  Owners of high-end instruments with nitrocellulose finish can click HERE for pertinent information.  Vinyl is caustic on instrument finish and is not employed on the transducer underside or the outer wire jacket. When relocating transducers on the instrument elevate them rather than drag or slide them.  Julian Fordham, PhD. in Materials Science at then-NXT (now Hi-Wave Technologies) was the team leader for PrimeVibe research and design.  Master Luthier Ryan Thorell consulted on the design and materials employed in PrimeVibe.

 

jim2Now, let’s talk with the visionary mind behind primeVibe, James Romeyn whom has the casual demeanor of a new best friend and would be referred to as simply “Jimbo”

Joseph Timmons: Jimbo, Thank you for taking time to work with us on this product article and for being such an interesting person to know.

Jimbo: Thank you for doing this article for us, we are happy to do this!

Q: What exactly is PrimeVibe, and how does it work?

Jimbo: “PrimeVibe warms up tone wood, it works on guitars, violins, bass guitars, harmonicas, drums, and ukes, just about any instrument made of wood except pianos, which are too big to service. The longer you play an instrument the warmer the tones. This is due to the seasoning of the tone wood. PrimeVibe seasons tone wood fast. Guitars take only 4 days to sound “vintage”.”

Q: Is this a “Family Based Business”, how big is your company?

Jimbo: “My wife, Debra, and I are the only full time workers at our UT location, so we are a “mom and pop” business. We take orders, provide customer service, package kits and ship them. We also handle promotions thru social media.”

“We also have sales people and a great webpage designer. Our sales reps are musicians. Our rep for Singapore, China and Thailand is a guitarist. Our distributor to Europe and Russia is a guitarist and plays violin and mandolin. And our webpage designer is a great bass guitarist! “

Q: Does the process cause any permanent changes to the structure of the Guitar or Instrument?

Jimbo: “No - We hired highly educated engineers to work on the primeVibe prototype. The transducers are harmless when properly used and the instruction manual clearly illustrates how to season various instruments. We also encourage our customers to contact us if they have any questions.”

Q: What was the initial idea for PrimeVibe, when did you begin?

Jimbo: “After searching for the “perfect” guitar for 3 years I ordered a custom guitar. It took the builder over 10 months to deliver it. I opened the case and saw that it was gorgeous. But when I strummed it, OH, Man! It sounded stiff, lacked dynamics, and the wood needed seasoning. “

“I had waited nearly four years for my guitar; I didn’t want to wait 6 more years for the wood to sound good! I found some light weight NXT transducers. They were interesting to me because unlike regular speakers which move air particles the NXT speakers pumped musical vibrations right into the wood so they turned my new acoustic guitar into a speaker box and music clearly played from my guitar.”

“The transducers worked, but they were not efficient and there were several issues that I felt I could eliminate with proper design. I knew I could tweak them for the specific application of seasoning tone wood so I called NXT and asked them if I could license their technology and incorporate my designs for this specific purpose. They sent a project manager, Martin Roberts to Utah from California. He, Debra and I went to Marie Calendar’s Restaurant in Salt Lake City and hashed out the initial details for what is now primeVibe. That meeting took place in March of 2010.”

1150326_641014905922605_1067953260_nQ: Jimbo, during our initial call, we discussed “Lignin”, is this a material in all wood based instruments, and how does it differ from instrument to instrument?

Jimbo: “Yes, I remember the discussion very clearly and it’s great that you understood everything right off the bat. Your readers could look at some wood and see that there are hard winter lines (thick) and soft summer lines (thin) in all wood. In between those lines is a plant substance called Lignin. When wood is not warmed or “seasoned” it sounds tight. Stressed Lignin is softened by musical vibration and warm wood sounds pleasant, engaging, and more harmonious to the ear. All tonewood has lignin and all tone wood sounds better the more it is excited by music.”

Q: Presuming there is a noticeable change in tone and texture of sound and is the effects long lasting or is regular treatments needed?

Jimbo: “It is long lasting, however, if a musician seasons an instrument and then puts it away for say a year he’ll want to re-season it because the wood, lignin will become tight without vibration. A store in Thailand sells primeVibe kits along with guitars to schools. Before concerts the music teachers prime the guitars. I think that if a musician has a gig and wants to make sure his instrument sounds extraordinarily good he should season it. Our first customer, Mr. Muir, is a professional musician playing in Hong Kong. He seasoned his main guitar, a Gibson Roy Schmeck Reissue played "two and a half hours per day" and he heard big improvements.”

Q: You had mentioned the origins of the technology as being from an old military concept, can you give us the details and was it difficult to convert to your products desired outcome?

Jimbo: “During the Cold War, spies used "bugs" (microphones) to listen to conversations. The US invented technology to thwart the eavesdropping. They invented highly specialized transducers that play louder when contacting a solid surface than exciting only the atmosphere (the normal job for regular loudspeakers). They attached the special transducers to the walls of hotel rooms and other places requiring privacy.  Music was pumped into the walls so the bugs picked up musical sound instead of conversations.”

“Later, NXT (now HiWave Technologies) refined their "bending wave" technology and were granted 375 international patents.  Now we use that same technology to “prime” tone wood!” “It was difficult to iron out the details and it took several months of planning, including consulting with local Master Luther Ryan Thorell.”

pV on Chad_s drumQ: I am a Drummer, and know nothing about Guitars, yet I was able to grasp the importance of this unit and what it offers. Given the scientific nature of PrimeVibe, have you come across anyone that just does not understand the concept?

Jimbo: “Yes - Our friends and family looked blankly at us when we told them about primeVibe. When we finally had the kits in our hands we rented an old mansion in Logan, UT near a large theater. We were hoping to create interest in PrimeVibe.

“The mansion had many rooms and we displayed primeVibe working on my guitars. Some friends and family went to the show and finally got excited about our PV kits. One nephew found an attic in the old place where the owners stored drums. He kept bringing us drums to prime. It was great! We primed every drum in the stash and put them back into the attic.”

Q: What are your personal experiences in Music, and was there a personal driving factor in your desire to create this revolutionary product that has impressed so many musicians?

Jimbo: “Thank you for asking this question. I play some guitar, mainly acoustic. I’m not a professional by any means but I’ll volunteer to play at a party or musical show, say at a school play or church music night. I love perfect sound. Over the years I’ve tried very hard to perfect reproduced music in friend's homes by building speakers and trying to match them with a "perfect" amp, pre-amp, musical source and room acoustic treatment.  I have always wanted music to sound as good as it possibly can.” 

“My music and audio history goes back to my first guitar age 9, played in a grammar school band (Pall Bearers, perhaps you've not heard of them?), studied synthesizer with Dr. Patrick Gleeson one of the top two analog synthesizer musicians in the world at that time. I was an assistant engineer at Sausalito Record Plant, where I worked with Roy Buchanan, Tower of Power, and New Riders of the Purple Sage. I gave guitar lessons, etc.”

“I now make and sell a world-class five piece Distributed-EQ Bass Reflex Array (DEBRA subwoofer system) for home or studio named after my wife which can be found at the following Link- : http://jamesromeyn.com, and I co-designed a new two-piece loudspeaker system with Duke LeJeune based on my own Patent-Pending radiation pattern, found at http://www.audiocircle.com

Q: Overall, what is your goal, to see your device used in all applications or performance by all musicians, or by a distinct few that want the best sound from their instrument?

Jimbo: “Our customers are musicians and luthiers and music store owners. Musicians buy kits because they care a great deal about their audience. Whether playing for a single person or thousands of people musicians who want to sound their absolute best will purchase a kit for their audience.”

primeVibe red“So we are excited about all our customers, a 16 year old music student excites us because he gets the concept. A hard rock guitarist excites us because Wow! He’s an awesome guitarist, a nice guy and loves his kit! A 55 year old guitarist from the UK excites us because our kit is priming a guitar in a little cottage in England! A huge music store in Thailand excites us because Wow! They are selling to schools! We are thrilled with all our customers! “

Q: Considering the artists that use and endorse PrimeVibe, do you feel that your dream has been realized, or do you feel you have a long way to go?

1234830_659407867416642_1948292003_nJimbo: “The answer is both. Our dream has been realized. When Peter from Bohema, a popular and award winning rock band in Poland, wrote us and said he wanted to endorse primeVibe we were speechless. We kept playing his You Tube videos and we just loved Peter. He writes great songs, he’s versatile, he’s professional and he’s a nice guy. He was our first endorser. Then more people contacted us, and when doors opened for us to contact musicians and people in the luthier industry, we did.”

“We are extremely happy with our endorsers and we believe we will likely have more endorsers in the future.”

Q: Where can our readers find PrimeVibe in either retail or online venues?

Jimbo: “They can visit us at prime-vibe.com, we have a dealer's page there and they can order directly from us.  We will also have kits available at Amazon.com in mid October thru January of 2014. If your readers drop us a line at info@prime-vibe.com and mention that they heard of us through this article we will offer them free shipping and tell them how they can order a kit using Pay Pal.”


Tuesday, August 27, 2013

30 Years of Lightning in California

 2013-08-21 12.36.29

Interview with Lightning Joe and his wife Marelene, Founders and Owners of Lightning Joe’s Guitar Heaven

Interviewed by Joseph Timmons of Xombiewoof Magazine

2013-08-21 12.32.36Lightning Joe’s Guitar Heaven is known as the place to get your Axe, and with one of the largest selection of new and used Guitars, it is no wonder that musicians from all over flock to his store to get just the right one. This family run business, now celebrating 30 years of service in the Central Coast of California, is looking towards doing great things while serving the musical community both locally and abroad. Xombiewoof now gets an interview with Lightning Joe himself and his wife and partner Marelene, to tell us their story and reflect on his career in Music.

A veteran player going all the way back to 1965, Lightning Joe has been known to “slay an entire room full of guitarists with a single lick." He's performed on television and radio, done session work for several studios, held the position of guitar columnist for the music magazine Sound Check, writing articles on all aspects of the guitar for three years, been in more bands than he can remember, like the SLO Motion Blues Band, Tidal Wave Cafe, Stark Raven, Gun Shy, The Shades, Prime Suspect, the 8th Wonder, Fusion, Just Good Stuff, Concrete Window, and The Purpose, to name a few. He's literally played thousands of gigs in some of the most impressive venues in our industry and traveled the road for years, performing alongside of some very impressive heavyweights in the industry such as Charlie Musselwhite, Mark Naftalins Rhythm & Blues Review, The Cash Valley Drifters, Donnie Brooks, Big Joe Turner, Mississippi Johnny Waters, The Curbfeelers, Rod Piazza & the Mighty Flyers, The Blues Survivors, Clarence Gatemouth Brown, Pee Wee Crayton, Carey Bell Blues Harp Band, Ralph Shines Blues Band, Rainbow, Life, among others.

2013-08-21 12.33.50Joe has played nearly every style of music and is currently settled into the role of guitar technician, enthusiast, teacher, mentor, owner / manager and active CEO of Lightning Joe's Guitar Heaven..." I watched the Beatles on the Ed Sullivan Show and knew exactly what I wanted to do: play the guitar." That was in '65 and it was later in 1980 in a seedy little bar called the Dark Room in San Luis Obispo, California, that Joe was given the tag " Lightning " by fellow members of the SLO Motion Blues Band for soloing " too fast " over the verses of Henry Mancini's Theme From Peter Gunn, and so the legend lives on at 100 East Branch Street in the sleepy little village of Arroyo Grande on the beautiful central coast of California at Lightning Joe's Guitar Heaven where you'll find Lightning Joe and his wife Marelene, their son Joseph and daughter Savanna running a very impressive, world class guitar shop.

Q: What made you decide to open a guitar shop?

Lightning Joe: it all started when we went to a local swap meet here in Nipomo, California. I had gone to connect with someone selling a Bass Guitar I had been wanting, but when we got there we found the guitar was not what we expected. The guy selling the guitar had 3 garage sheds full of instruments, Guitars, Drums, Keyboards, Flutes and junk, lots of Junk… everywhere. My wife and I looked through everything and found some very interesting guitars and gear. I had wanted a job with him; I saw an opportunity to get in a great position.

Well, the guy, who was older and in poor health, said he was actually closing the business down and wanted out. My wife and I decided that since we just sold our first home, this might be a great chance do something we loved, have a business in music. We talked it out and he wanted $12,000.00 for everything, we only had $6000.00, and it was every penny we had. The guy made us a deal, help him sort it out and we buy all the Instruments we could have it the 6K. We set on this task that took more than 3 weeks to clear it up and move it to our shop. We did not start out with the vision of having this go as long as it did, we thought we might coast a bit until something came along, and then I found out this was it, and this was the big gig!

2013-08-21 12.34.15Q: So 30 years in the same location?

Lightning Joe: No, we opened in Nipomo, and then a second location a few years later, the present store, in Arroyo Grande. But then we let the Nipomo store go about 9 years later to keep the larger location in Arroyo Grande where we were open all week.

Q: In this area, there are not too many stores like yours, was it always like this?

Lightning Joe: No, in the north county there are actually many stores like this, some bigger, some smaller, we all know each other. The musician community in this area is incredible and there is a large demand, and since this is the area on the main highway through California, we get a huge amount of traffic.

Q: looking at your store there is not one area that a guitar is not hanging, in addition you have rows of Amplifiers and glass cases full of Pedals and Gear, where does it all come from?

2013-08-21 12.33.36Lightning Joe: We do a lot of trade work and buying / selling from individuals, we check out trade shows and conventions. We just love having a fun and exciting atmosphere that draws people in. the longevity of the store is we have a passion for what we do. We had started with everything from Guitars to flutes and drums, but we decided to move to just guitars, it’s what we know. Our customers don’t just come to us to buy a guitar; they come to find Their Guitar, and that’s why we have the following we have.

Q: As time went on from when you started to now, how did the changes in the music scene affect you?

Lightning Joe: Wow! There were so many factors, from the invention of MiDi, the disco days, karaoke machines and the Dj’s. The club scenes changed frequently and it became hard for bands to find gigs, it was feast or famine. And then some great places closed, and it was not until recently with all the new clubs and wineries opening up to live music, but it’s still tough.

Q: have you had many celebrities or up and coming musicians come in unexpectedly?

Lightning Joe: well, yes, actually Jon Anderson of Yes lives in the area, we see him all the time, and Jackson Brown, and several local music artists that are famous, but we don’t name drop, the famous artists are just regular people that want a place to get stuff or hang out without the fan chatter of celebrity hounds. We don’t let too many people know who comes in, so they can feel welcome.

2013-08-21 12.33.28Q: Everyone I talked to about Lightning Joe’s Guitar Heaven had nothing but good things to say and even went to give the impression that your store is a cornerstone in the community. How does that make you feel when you find out that you are not just a guitar shop, but a part of the spirit that drive the music scene in the area?

Lightning Joe: Well, if we were not here, I would like to think someone would be. We have a community center area on the second floor and a rehearsal space and even do shows. (– at this point I mention that I did not even see a second floor) Response: Oh yeah, you have to come and see it, we offer free stages to perform on and even a kind of music museum with my personal collection on display, as well as some choice pieces I have gathered. We have a gift shop and a café, just so much hidden in our walls. We just do what we do, we just hope the community comes in to be a part of it and take advantage of the opportunities. We have seen so many bands start in our store.

2013-08-21 12.33.10Q: Where would you like to see things go in the music scene here on the Central Coast?

Lightning Joe: I would like to see it grow, more venues and places to see bands play, there needs to be steady work for musicians here. California is the source of energy for Music, so why is it so hard for musicians to flourish here. We get so many people from all over, other countries and here on vacation, we get so many calls and requests for instruments, or where to find it if we don’t have it. We get so many people every day and they are looking for Music, so I want to see it develop in the area.

Q: So, where do you go from here?

Lightning Joe: Marelene and I have been together for a long time, and we hope that our kids will continue what we started. We have no intention of ever leaving the business, but our son expects to take over someday, move us out and just cut us a check, he wants us to enjoy out time. We have worked so hard at this and it’s been our whole life, but not a moment has been wasted. We get so much business and the amount we buy, sell and trade is amazing. We feel we will be remembered for what we gave, sometimes people come to us with a need and they have no money, so we will often fix guitars for free, they come back and help us when we need it, we have a large family and it grows every day.

After our interview, Joe and Marelene, left to go open the store, Marelene had lesson appointments to schedule, people to call and Joe had some guitars to repair, tune or trade. After 30 years in business, raising a family and a career in music, they had the energy of teenagers heading to a concert.

Lightning Joe has found his main stage; he leads the biggest band of music lovers in the Central Coast of California, he plays his rig fast and lean, with heart, soul, with a little bit of reverb. I am just wondering where Lightning will strike next!

2013-08-21 12.36.35Want to see Lightning Joe’s Guitar Heaven, go to their web site http://www.lightningjoes.com

Here is their Virtual Tour Link: http://www.lightningjoes.com/virtualtour.html

Are you in California’s Central Coast? Why not stop in for a visit, Here is their address:  Address: 100 E Branch St, Arroyo Grande, CA 93420

Phone: (805) 481-2226  Hours: Tuesday through Saturday - 11:00 –5:00 pm