Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Wednesday, January 7, 2015

Hal Leonard Launches New Riff Notes Series

Electric Guitar Basics, Acoustic Guitar Basics, and Guitar String Basics explained in portable, single-topic booklets of less than 30 pages

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Hal Leonard has published Riff Notes, a series of quick, easy, and informative single-topic guides for novice and experienced players alike. These guides explain in less than 30 pages, all the basics needed to make an informed decision on which guitar and which strings are right for you.

The authors have both worked on the floor of Guitar Center, helping customers make purchasing decisions every day. Along the way, they discovered that many people had the same questions. The Riff Notes series provides practical answers to these common questions.

Many books cover guitars and playing techniques in depth, but the majority of them assume an intermediate level of guitar knowledge, or cover such a wide range of topics that it may seem overwhelming and too time-consuming to read. The single-topic Riff Notes cover this gap and provide quick answers to the most common guitar questions.

Designed to easily fit in guitar cases or gig bags, the booklets introduce the guitar with simplified terminology and explanations, practical applications and tips. Written in an accessible and engaging tone, the following three titles are available now:

Electric Guitar Basics and Acoustic Guitar Basics cover the differences between the many types of electric guitars, as well as the crucial differences between necks, tuning keys, fretboards, pickups, bridges, bodies, woods. Also included is shopping advice, fun facts, and trivia to engage readers of any playing level.

Guitar String Basics explains everything there is to know about this extremely important part of the guitar, both for electric and acoustic guitars. The two main types of strings, steel and nylon, are fully explored. Any guitar comes with strings already on it, but knowing all about them - what kind is right for your guitar and how to maintain and replace them - is essential.

http://r20.rs6.net/tn.jsp?f=001Wm7Fj3WkjPRTVXkjXrVAlASuF94dUNLm2c0NEQyqWrXeVM0LKBCZYeJ6eWHJWsbf4ero7xaywnoKp-4X0JJGmp4RKUFCw9GTDcCz1eDljqH3DYXK3pRs8DbDUkvkeNDEYim8c5-jnf97eYEfBSXlz5v7ICigNniQvktNji7zp7rSC6B6mXJLluh1BDOT4xO4sGOrQhlRPQNl7zejqkDvsZZRkSNKvcjxDOjXSrrmQ9eLiq8Satbwemsoz2iTLFU36Ix4kgbTt_OEDB2CCDqagSL9KrfLdhi_PPwmjo5UgAH6w4x9NnEC-V_IHLX-4mLJSF7KfQle0SE=&c=h6VTLmA9ZvjlAPI13INymaIjwof8FA5dVJWXFTwr293knyGVbY88Eg==&ch=2YNh7pUlCsgAysOI_a9zajAuTpmLvtqBLAQGOn8ABlY5RmUArQGGQg==

$6.99 (US)

Inventory #HL 00128350
ISBN: 9781480392021
Width: 4.5", Length: 6.75"

24 pages

http://r20.rs6.net/tn.jsp?f=001Wm7Fj3WkjPRTVXkjXrVAlASuF94dUNLm2c0NEQyqWrXeVM0LKBCZYeJ6eWHJWsbfzqxhu7ou5xNz7u6CDPUCAL3T4kVMSFsX8SvrTHb3nBRJHa7Y1hSVAa5j1viseaVypFfz3iOJsnpbsdQLIpa_RyqeJnI1w3DIhQZRjOzS8HnRG-ZTCkSAL6hGkEZW11t5lo9SxwW-JUmN0uuiiLb6mCxX1tU8hvylXGuCB-YpBaT1-8je6VGRXhvedbu8RH3vwvJgH7MYhXVp0W8zdrUcFCqpWz3_o_iMwZc8y8Nb_uAmM5LgcwOuzacgLZJQzo63qXSM9eJqqms=&c=h6VTLmA9ZvjlAPI13INymaIjwof8FA5dVJWXFTwr293knyGVbY88Eg==&ch=2YNh7pUlCsgAysOI_a9zajAuTpmLvtqBLAQGOn8ABlY5RmUArQGGQg==

$6.99 (US)

Inventory #HL 00128352
ISBN: 9781480392045
Width: 4.5", Length: 6.75"

25 pages

http://r20.rs6.net/tn.jsp?f=001Wm7Fj3WkjPRTVXkjXrVAlASuF94dUNLm2c0NEQyqWrXeVM0LKBCZYeJ6eWHJWsbfOrmpdeIlxF2E5Yr4pDuJjpsii8IiXl6H2gbSoVF9xLYZhu-OG02aD9SUpxD_6E04r60LFt8vasCEYSRG2h-IAvx04_kUlSrW5XGSHfAR4ozc5iC1iunj0DwgPioeWCq0dTDjKpVZU-ImVHguQjADqiBGxeJzoZ4cX6a1xnsWB7vYco9FTQyWgzzLse_yG9kie-RG5u2motfxAI9GvbvQv7ZMxVUAMbNCuPC190CGYDVtaXOyb_o03i60ZWY1p80hy170jW2Q06c=&c=h6VTLmA9ZvjlAPI13INymaIjwof8FA5dVJWXFTwr293knyGVbY88Eg==&ch=2YNh7pUlCsgAysOI_a9zajAuTpmLvtqBLAQGOn8ABlY5RmUArQGGQg==

$6.99 (US)

Inventory #HL 00128351
ISBN: 9781480392038
Width: 4.5", Length: 6.75"

24 pages

About the authors

Phil Dixon and Christopher Jones joined Guitar Center in 2006. Dixon bought his first guitar at age 15, and Jones picked it up at age 12. Dixon studied and tutored music theory in college and holds a B.A. in English Literature from Pacific Lutheran University. Their website is http://riffnotes.us/

For more information, please visit http://www.halleonardbooks.com

- Hal Leonard Books, An Imprint of Hal Leonard -


Wednesday, April 9, 2014

RYAN RUSSELL RELEASES “CONTINENTAL OBSCURA”

RYAN RUSSELL RELEASES “CONTINENTAL OBSCURA” PHOTOGRAPHY BOOK/SPLIT 7” RECORD

Known best for his iconic photography of some of rock’s biggest acts, Ryan Russell has released a new travel photography book titled “Continental Obscura: From Birmingham to Bellingham” today via No Sleep Records. The limited edition book will also feature an exclusive 7” split record with unreleased and rare music from Manchester Orchestra and Minus The Bear.  The book is available for purchase now from No Sleep Records and Amazon.com.

Russell recently partnered with Fuse.tv to stream Manchester Orchestra’s unreleased track “Sure Shot” and Minus The Bear’s rare B-side “Surf-n-Turf” from the exclusive 7” record. Listen now at http://on.fuse.tv/OubAkQ. Additionally, a selection of photos from the new book can be seen at ImposeMagazine.com.

For the last decade Russell has captured memorable shots of famous rock bands like Paramore, Death Cab For Cutie and Blink-182 and had photos featured in publications like Rolling Stone, Esquire and New York Times all while amassing an impressive cult following of his work.  For his latest project “Continental Obscura: From Birmingham to Bellingham” Russell turned his lens onto a different subject entirely. In the summer of 2013 he embarked on a life-changing, cross-country journey, moving from his native city of Birmingham, AL to the Pacific Northwest town of Bellingham, WA.  Russell documented his trip, capturing the back roads, ghost towns, national parks and historical sites of America with stunning photos of everything he saw.  Check out a recent profile on Russell at RoadTrippers.com.

Follow Russell at http://instagram.com/ryanrussell and continentalobscura.com for more information regarding the release of “Continental Obscura: From Birmingham to Bellingham.”

About Ryan Russell:

Russell was born and raised in the Deep South town of Birmingham, where he found an eye for photography at a young age.  His style embraces predecessors of southern culture like William Eggleston and Ernest Withers as well as personal influences like Glen E. Friedman and Charles Peterson to create a bold new take on classic southern gothic photography.  Russell captures the grit and energy of today’s American music scene much like Lee Friedlander’s work for Atlantic Records in the 50’s and 60’s or Anton Corbijn’s work with U2 and Joy Division in the 80’s.  Today, Russell is a well sought after photographer who has worked with bands like Death Cab for Cutie, Paramore, Patton Oswalt, My Chemical Romance, Green Day and Blink-182 and his photographs have appeared in such periodicals as Rolling Stone, Spin, Esquire, Playboy and New York Times.

7”  Track List:

1. Manchester Orchestra

Sure Shot (unreleased 2009 track)

2. Minus the Bear

Surf-n-Turf (rare b-side)

For More Information:

http://instagram.com/ryanrussell

https://twitter.com/xryanrussellx

ryanrussell.tumblr.com

http://www.facebook.com/ryanrussellphotographer

http://www.ryanrussell.net/

continentalobscura.com

http://nosleeprecords.com/

https://www.nosleepstore.com/


Wednesday, August 28, 2013

Joe Walla: Rock and Roll’s Prodigal Son Returns to the Stage, Bigger and Better Things Are Now!

peerlessB&W

Interview and Opinion Editorial by Joseph Timmons: Xombiewoof Magazine

Every musician starts out humble. They say they won’t change once they make it to the top. While it is easy to say, and even to believe, it hardly ever happens. What will usually happen first is the fame, then the parties and the wild life, and then inevitably, the fall from grace and decent into obscurity.

In the music industry, there are many stories; some involve sorted half-truths and jaded commentary. Other stories of artists revealing their darkest tales and tearful apologies and some of the “one hit wonders” looking for the fame they once had.

In my interview with Joe Walla, I found that his life has been, and sometimes still is, a roller coaster that movies are made from. Starting when he was young, to today, returning back to the stage after a long absence, there were many ups and downs that some artists would find discouraging. But Joe Walla, being the professional he is, wanting to make his dream come true for the second time, making that once in a lifetime thing happen all over again, was not only a choice and a destiny, but is now a reality. I would not call this a comeback story, but a return from darkness.

retroamericaLike the pieces of his life that influence his music, his real experiences had created the score to his Rock and Roll fantasy. Joe Walla started as a keyboardist, with a long interest in music. But after family strife came into being, he sought a new way to express his soul and found it in the strings of an old guitar his father left behind. Once he began learning to play guitar, all the way working his way to the stage, the road was one not traveled by angels, and he showed a skill unlike others. He struggled hard, making his name for himself through will and desire.

He signed to Atlantic Records in 1982, performing, recording albums, and making his dream come true. However, due to “strange and unexpected events”, Joe said in a guarded candor, some of the issues that caused his absence were due to missed opportunities, bad management choices, and inconsistencies in the band. Joe Walla’s band consisted of himself, his bassist, and his drummer. There were many places in between where people came and left, but the core element of the band had always stayed the same. Finally, due to major conflicts over the direction they were going in, and what was going to happen with contracts and deals, caused stress between the members. Joe took very personally, and depression began to set in, which ultimately led to his departure from the limelight.

goldjdpicJoe Walla’s return to the stage was the result of hard work and dedication, Joe said “I made a few bad choices, but I am also looking to put the right pieces together again. I’ve done a decent amount of work: soundtracks, seven studio albums, and multiple live performances. I think it’s time for me to pull myself up by the bootstraps and get to the next step. I love playing, I love playing live, it’s always the best, but I found it humbling to rethink and restart again, now only better.”

Joe Walla described himself as an average player, yet to the contrary I found while preparing for this interview many fan pages and sites mentioning him and his past career. In his absence, his fans and followers had never forgotten him. In our conversation he mentions his experiences with coming back to the stage and to his fans. Many of the faces that he saw when he was younger he saw again at his recent performances, constantly reminding him of what he gave them – not just his songs, but a soundtrack to their lives.

“If you want to make it happen, the sky’s the limit. I am lucky to be where I am today, and I am lucky to have the fans that I have.”

Joe’s romantic side emerged with the recent collection of new songs, and with new styles he has been working on. He’s integrated his rock-and-roll style from the past with some rhythm and blues, some soul and some Spanish-style guitar. Joe has mixed it up to create, ultimately, a whole new sound, which has his unique style and flavor, and is completely Joe Walla.

joe_walla_02At 52 years old, he said he has no regrets and has no desire to look back and be the star of his own pity party. He said to me that “if I sat there and just relived my past and worried about my past, and about what people think, then he’d never pick up the guitar again.” And for Joe Walla, that would be death. He lives to play guitar, he lives to perform, and he lives for his fans, the people that supported him, day in and day out. “I would like to add thanks to some special people in my life, Kris Traynor, my producer and longtime friend. Kris took the time to nurture my talent, so without his guidance I wouldn’t be where I am now. I also have to thank my sister, Lee Anne Marino; she was and still is my first believer. She put up the money to help fund my fist CD project. I owe her big, without her love and support …well, I love you. I am thankful to all those I couldn’t say thank you to, that would be a whole story by itself. You are all special people to me, and I will always be thankful.”

Some would say that Joe Walla is an eccentric, an unconventional artist, but I prefer to think of him as a performer that involves his fans in the show, sometimes taking odd items to play the guitar with. The guitarist Jimmy Page would use a violin bow; Joe took it one step further: he would take various objects from the stage or from the audience to play with, using it like a slide on the guitar or banging against the strings. Sometimes he would take his guitar and play it against the side of the amp; an old beer bottle, a can. One time he referenced that he used a chicken bone from somebody’s plate and used it like a slide. The most bazaar thing he used was a prosthetic leg. He was playing in a night club – or more like a bar, he said, - and somebody from the back, a raving fan that loved his playing, took off his own prosthetic leg and tossed it onto the stage. So, Joe picked it up and started playing. At the end of the show, the guy came back for his leg –so he could get home - and Joe thanked him for making the performance great. He did not say he made it great – he said the fan made it great, gave him an opportunity to do something different, something new, something to make it memorable for everybody there.

thCA3AJXDPJoe Walla works on his skills daily to make music for his audience to enjoy, remembering it was the people that put him there. Joe Walla is an old school rock-and-roller, but he is also a modern man of the digital age, taking advantage of the internet, websites, social networking. His albums are all recorded now strictly to digital, available for download, sometimes free, most for the minimum cost just to cover production. Joe Walla wants to perform all over the world, and is presently in negotiations to do so. Joe wants to include stadiums, club scenes, – anywhere where there is a stage, anywhere he could have his fans show up.

He makes his music available for anybody who wants to hear it, through many locations. He is looking to put together a great band and create a new stage experience, something new, something to meet the challenges of the next phase. Joe Walla, a motorcycle enthusiast, who also had a car in the racing circuit, is still very much engaged in his interests and wants to play in the road houses and “biker bars” as well. Many of his fans enjoy motor racing and the rock-and-roll lifestyle.

Some of you may wonder – who is Joe Walla? The name sounds familiar, but we can’t quite place it. The fact is, if you don’t know about Joe Walla, you don’t know about rock.

hrdp_1007_15_o joe_walla_band funny_carHis awards and nominations include All Access Award Winner for Best Southern Artist, Best Instrumental Group, Best Rock Guitarist, Best Songwriter and Music Connections Top Unsigned Artist for 2 years running– a tough competition, it is not easy to achieve it more than once. He has multiple albums in his discography including duet performances with other notable artists and he is endorsed by major Music Instrument Companies: Peerless Guitars, Cool Picks, Aurora Strings, Zt Amplifiers, Gig Fx, Amt Pedals and Mills Acoustics– companies that want only the best to represent, them, and Joe Walla represents them well.

xoxPatriotJoe is not very happy with the record industry as it is today– not that he blames them for anything, but he is just not very comfortable with the way things are going there. To catch a common phrase – “Payola” - he feels that the person needs to be recognized for the talents, not for the star factor he or she can offer to the record companies. This may have caused him some issues when dealing with executives, but those that can respect his opinion are the ones he wants to work with. Again, Joe Walla is about the show, not the stardom. The present music scene is filling up with artists that have an agenda or a wild image, or a gimmick. Whether its makeup or a scary costume, or the performers are trying to represent some dark demonic force or being the next pretty boy band. “LA is not the same, and it seems to be a whole new game with new rules.” Nothing against those bands, but for Joe Walla, it just does not work.

One quote that came in a pause in laughter, because all throughout the interview Joe Walla was cracking dirty joke and making side comments, “At the end of the day, it’s been a good run. I’ve made some money, maybe not a living, but I’m living well.” He is still blown away by fan mail he receives. Once, a fan asked him for an autograph – and he gave it, in exchange for the fan’s autograph. The word got out – suddenly, fans all over the world started sending their autographs in return for his, for the momentum of the show. Now, his studio wall is layered in autographs of his fans. He said this is his driving force. This is what makes him get up in the morning. Not what he can get, but what he can give.

“You can change a life with a song. I want to write enough songs to change a lot of lives.”

Joe Walla came out of the dark place, and came out strong, stronger than ever. There are those that can play music, some that can master it, but if you love the artists that can breathe music, bleed music, live on music… Joe Walla is that kind of artist, yet He has no delusions of grandeur. He is just a man who wants to play guitar; it’s what he does, and it’s what he does best. The best is all that Joe Walla has to offer.

Visit The Following Sites to See, Hear and Enjoy the Music of Joe Walla

Joe Walla on Facebook

Joe Walla Book: Always an Adventure

Joe Walla on Soundclick

All Access Magazine Article

Peerless Guitars Endorsement Listing


Tuesday, April 16, 2013

The Merciless Book Of Metal Lists Author And Photographer Featured On WVOX's Metal Mayhem This Friday

 

MERCILESSThe Merciless Book Of Metal Lists is the ultimate look at the world of heavy metal via the ease and convenience of a list. No stone is left unturned here, and we mean no stone!

It's the most opionated compendium ever written about heavy metal which hit book stores this past April 9th and written by NYC music scene veterans Howie Abrams and Sacha Jenkins, featuring contributions by Slayer's Kerry King, Philip Anselmo of Pantera/Down, Scott Ian of Anthrax and much more!

Featuring iconic photographs by Frank White, The Merciless Book Of Metal Lists is comprised of 208 jam-packed pages representing all that is glorious across the world of heavy metal.

There is no music community on earth quite like that of Heavy Metal, and the Merciless Book Of Metal Lists is its bible.

Now get ready as WVOX's Metal Mayhem welcomes Howie Abrams and Frank White live to New York's WVOX's Metal Mayhem show this Friday, April 19th at 8:10pm Eastern on WVOX.com Worldwide and 1460 AM in a special feature interview!

 


Monday, April 30, 2012

To Be or Not To Be...continued an opinion by Sean Stoltey

I have a general complaint about a lot of modern comics (I’m looking at you Walking Dead) where they need to be read in chunks, that not every issue can be read on its own.  If each issue isn’t necessarily satisfying on its own, why are people going to come back month in and month out?  In an era when younger people (the obvious market if we really are trying to get new readers) are so into singles and digital and a “get it to me now so I can be done with it now and move on to the next thing” attitude, this seems a poor choice at best.  The shorter attention spans mean that the idea of waiting six months or more for a complete story is extremely off putting to new readers.  There are many times that a single issue can be exciting, satisfying AND leave you wanting more and salivating for the next issue while being part of a larger story.  It’s interesting how things come back. 

It was decided at some point that comic readers wanted more complex and engaging stories.  Someone figured that meant longer story arcs and the trend went to (in general) six issue story arcs that could easily be collected in Trade Paperback form to cater to the growing bookstore market.  So began the “writing for the trade” era, which became the “waiting for the trade” era.  Stories became “decompressed”, which basically meant if Stan Lee and Jack Kirby did it in one issue back in the day, it would take AT LEAST six issues to tell that story today.  Some writers got good at building a cliffhanger, or even better a conclusion with a cliffhanger, on each issue so the reader became engaged enough to keep coming back.  However some (I’m sorry to pick on you Walking Dead, I do enjoy you but this is true) just cut off at the end of the issue.  It was insultingly obvious that the faithful, monthly reader who was keeping the industry going was being underserved.  It felt like, “We’ll take your money, but we’re not going to give you what you paid for”.  What we pay for is a story, not part of a story.  There are books that I love that I felt forced to “wait for the trade” because that was how they were written and reading them any other way was making me not like the book.  Some days it’s hard to justify buying the monthlies…but I gotta get my fix man!!

I noticed an interesting thing at Marvel.  With their Avengers Versus X-Men event they are going bi-weekly and running a twelve issue series in six months.  They also tend to ship more than once a month on some of their books.  Now I know a lot of people just see that as a “cash grab”, but come on, just because we treat comic books like scripture doesn’t mean they are not businesses.  Get over it folks, there is no sanctity here.  They have adjusted the way they approach ongoings and events to be more in tune with the realities of the market and the customer.  As the dust clears from the explosion of the “nu-52” at DC, Marvel seems to be moving back to the top of their industry.  Speaking of DC, or as I will be referring to them: nuDC, they’ve gone another way.  They gave themselves a huge opportunity for a fresh start, and claimed that digital was an integral part of this direction.  However, the short attention span of your average digital consumer seems to be furthest from their minds.

I love Scott Snyder’s Batman, but we are on issue eight and the first story is not only still going, it’s expanding into EVERY Batman related book for a month.  That’s twenty issues, and who knows if the story finishes there.  Green Lantern-New Guardians is getting better than it was, but it’s also still on the same initial story and the earlier issues felt like six pagers stretched out to a full book.  DC has announced a new initiative where they will be creating exclusively digital content, like the current Smallville Season 11, so let’s see if they can turn this around.  I know it seems as if I’m a bit of a Marvel Zombie, and at the moment maybe I am, but I dig any good material no matter where it comes from.  If you’ve read my recent reviews of indie books, you know that I am only a recent resident of the indie comics’ fandom.  I go where the quality is, and there’s a lot of it out there that in the past I’d cut myself off from.  I also understand, as a writer, that sometimes the story needs to be longer.  Often, they take you places you never planned on going.  Hell, this article has changed direction on me at least three times! 

Now here in the new, modern, birth of digital age the opportunity has arisen for a new kind of comic book creating and marketing.  You Indie and creator-owned types should pay attention here.  The way that the digital single has changed music, digital comics could be creating a big opportunity for everyone.  It costs too much to publish physically.  The big companies will ALWAYS get the counter/shelf space, you’ll be lucky to sit anywhere in a comic shop.  However, many bands have been built off the success of a good single that they carried around with them and put into people’s hands.  Maybe it’s time comic book creators took the same tactic.  Produce the best possible work you can in anywhere from 10-24 pages.  Make it available digitally and pimp the hell out of it.  Send it to online reviewers, sell it yourself or get a local store to place it in their digital storefront if they have one.  Go to conventions, when you meet other creators, or better yet: editors, e-mail them a free copy.  Hand them a disc or thumb drive, print a small run and hand it to folks as well.  Some people need something physical in their hands.  Get the word out and most importantly, don’t give up. 


Sean Stoltey, writer, raconteur and retired rabble rouser, hails originally from California's Central Coast but currently resides in Southern California's BEAUTIFUL--San Fernando Valley. Screenwriter, Comic Book author, these are things he does because he's too poor to be a Producer or Publisher.


Sean has been reading comics, watching movies, reading books and selling his soul (or at least his hearing) to Rock'n'Roll for as long as he can remember. He has been discussing and arguing about these things for almost as long.
So now he has come here to throw his opinions in your face as well and hope that, even if you don't agree, hopefully you will enjoy them. For the record: Kirk was the greatest Enterprise Captain, Han was the only one that shot, Led Zeppelin was the greatest Rock band to walk the Earth and Keith Richards is the coolest undead person to walk the Earth. Coolest living people are my sons and my Mom and Dad. My Dad F---in' rocks, and my Mom can kick your ass. 

You can ask Sean anything at http://www.formspring.me/WWest3001 follow him via twitter @WWest3001 or boring old e-mail at SeanStoltey@yahoo.com

Monday, April 23, 2012

TOPPS Unveils John McCrea's MARS ATTACKS Trading Cards

Eisner Award-Winner to Illustrate Exclusive Subset & Hand-Drawn Sketch Cards

[Card #1]The Topps Company today has released a first look at a special subset of all-new trading cards by acclaimed comic book artist John McCrea, to be included in this summer's Mars Attacks Heritage card set.


McCrea, the Eisner Award-winning illustrator and co-creator of DC Comics' Hitman (with Garth Ennis), is the artist on IDW's Mars Attacks comic book series. Pulling double duty, McCrea has also created 15 brand new images for Topps, exclusive to Mars Attacks Heritage- four of which are unveiled today.


The 15 images, officially titled 'The New Universe Subset,' offer a glimpse into the new Mars Attacks, which build from IDW's upcoming comic book. In addition, the subset will include insight into the new series, through a narrative that unfolds on the back of each card.


"We wanted John to treat these cards like miniature comic book covers," said Adam Levine, Topps' Licensing Manager. "To weave the cards and comics together even further, we crafted a story that introduces fans to our reimagining of Mars Attacks, beginning years before the Martians invade and continuing into the future, perhaps even beyond what you'll see in IDW's series in 2012. If fans look closely, they may even spot a few hints at what lies ahead."

 

Along with providing art for 'The New Universe Subset,' John McCrea recently paid a visit to Topps in New York, and found time to contribute a limited number of original, hand-drawn sketch cards to be randomly inserted into packs of Mars Attacks Heritage.

"I'm very excited to be able to play in this world of aliens and robots and giant insects," said McCrea. "Mars Attacks is right up my alley; it's everything I love to draw. I'm thrilled to be a part of the creation of this new world and to be able to my own stamp on it."

Mars Attacks Heritage releases this July, while IDW's new comic book debuts in June. Both are currently available for order.


For more on Mars Attacks, including an ever growing gallery of sketch cards, follow on facebook: www.facebook.com/MarsAttacks
For all the latest updates, follow on twitter @realmarsattacks


[Card #2][Card #3] [Card #4] image


DISCOVER THE FUNNY SIDE OF FRANK FRAZETTA!

A wealth of rarely-seen material by the late master returns this week!

[Frank Frazetta Funny Stuff Cover]

Frank Frazetta has been called “The Grand Master of Fantasy Art,” but did you know he did a glorious omnibus’ worth of funny sexy and funny cute stories in the Golden Age of comic books?! That’s right, hillbilly babes to hoppy bunnies were drawn with the Frazetta magic. And Eisner-winning editor Craig Yoe captures that magic in the new FRAZETTA—FUNNY STUFF large format, full-color, 256-page hardcover collection from Yoe Books. FRAZETTA—FUNNY STUFF debuts at the MoCCA Fest in New York City this weekend and will be in comic book shops this week.

Yoe says, "Besides the amazing art itself, Frazetta fans will be stoked by the sheer quantity in this big thick book. There are 27 comic book stories, well over 200 of The Master's delightful text illustrations, and tons of rare and unpublished original art, illustrations and photos carefully reproduced in the introduction."

Frazetta’s "Fire and Ice" collaborator Ralph Bakshi provides a compelling freeform, stream of consciousness introduction that you have to read to believe. Dig the beatnik beats of this hep cat sharing his story of working with THE MAN. Only Craig Yoe can conjure up such wild and unexpected material!

 

 

[Frazetta Interior Page #1]“The team at Yoe Books put countless hours in restoring these charming strips to ensure a proper vintage reading experience,” said IDW Senior Book Editor, Justin Eisinger. “Like each and every Yoe Book, FRAZETTA—FUNNY STUFF is a lovingly created artifact that itself is a piece of art.”

 

But don’t just take our word for the glory of this vintage Frazetta. Here’s what some fine, respectable folks have to say about the man and his funny work.

 

[Frazetta Interior Page #2]“Frank Frazetta... his comic book output was unforgettable!” —Harvey Kurtzman

“You don’t have a full picture of Frank Frazetta until you’ve seen his funny stuff. It was his own favorite work, as it captured an important aspect of Frank that his sword and sorcery paintings did not—his warm sense of humor.” —William Stout

Why stop there?! Even the great talent himself was known to claim that the funny side was the real Frazetta.
“I do reveal that dark side in some of my work. I am known for my violent stuff. But the funny stuff is the real me.” —Frank Frazetta

 

[Frazetta Interior Page #3]Pappy's Golden Age Blogzine says that FRAZETTA—FUNNY STUFF is “a long overdue compilation! The book is beautifully produced. I love the over-sized pages, and especially the enlarged spot illustrations. As always, Craig's books are impeccably designed and printed. Permanent binding, thick quality paper to ensure the best reproduction possible. You will never go wrong buying a book with the Yoe Books imprint.”

Keep an eye out for the limited edition as well. A hot ticket item at 100 copies, it features a bookplate signed by Yoe as well as a variant cover featuring a rare drawing of one of Frazetta’s much-lauded sexy gals!

 

 

Craig Yoe is available for convention appearances and interviews with the press in regards to this and his other books.

Yoe Books' website is http://yoebooks.com


FRAZETTA—FUNNY STUFF ($49.99, 256 pages, hard cover, full color) will be available Wednesday, April 25, 2012. ISBN 978-1-61377-167-9.

Visit IDWPublishing.com to learn more about the company and its top-selling books. IDW can also be found at http://www.facebook.com/#!/idwpublishing and http://tumblr.idwpublishing.com/ and on Twitter at @idwpublishing.


Wednesday, April 18, 2012

Graphic Novel Review: Saucer Country #1 on Vertigo Press

 
image
Saucer Country #1
imageBy Paul Cornell and Ryan Kelly
Reviewed by Sean Stoltey
First, a little background. In general I’ve avoided “indie” titles in the past. I know, I know, I’m a horrible person who trades creativity for familiarity or some other similar BS. I have unapologetically enjoyed my Big Two superhero comics my entire life. Over the last couple of years I have really had my eyes opened by a few things: Criminal, 100 Bullets, Walking Dead (comic book, NOT the show, don’t get me started!), Invincible, Irredeemable and a few others. It’s forced me to broaden my scope and try things that I may not have considered before. This ideal is what led me to Saucer Country by Paul Cornell and Ryan Kelly.
Maybe it’s because I’ve recently been watching the early seasons of X-Files that I missed back in the day, but I got a definite X-Files vibe from the cover. So with that in mind I sat down and started reading. Right off the bat I found my expectations were wrong. By the way, that’s a good thing. I’ve been reading comics for over 30 years and being surprised is a nice treat. The opening seemed to play into the X-Files expectation, classic images of aliens, two people awaking in a car with lost time and unexplained wounds. Then we find out that our main character is Governor Arcadia Alvarado and we are plunged into a few pages that are pure politics. Nothing ideologically specific, Cornell is smart enough not to make it “political” and alienate (pun intended) any potential readers. However Arcadia is a politician so we have to experience that world with her. Which is fine with me, I love a good political setting. West Wing was one of my favorite shows, and Cornell does a good job setting up how the political world is going to work its way into the plot and supporting characters. Then page nine comes at you and we’re introduced to a whole new and interesting bit of crazy.
Here we meet Professor Joshua Kidd, under scrutiny from the Harvard University Administrative Board about the book he wrote on UFO sightings. On this page we meet Professor Kidd’s…friends, and we realize this is going to be a little more than the usual alien abduction story. The Professor only gets one more page of screen time later in the book, but these teaser pages of his story are more than enough to intrigue this reader and leave me wanting more. Which is what a first issue should do, and this one does it in spades. In the opening scenes, Arcadia was found with her ex-husband, Cornell shows his bitterness over coming up with Arcadia and then being left behind when her career took off. I am a fan of coming into a good story without too much foreknowledge, so I don’t want to get too specifically into the rest of the story. I do want to say though, that Cornell has really hit a homerun in my estimation. Maybe because he is British and is able to take his influences and outsiders view of America and mash them together he comes to a mash up I would never have dreamed up and cannot wait to read. The good old sci-fi trope of Aliens, and the current political fodder of illegal aliens. There is a bit of a twist/revelation at the end that as a reader you see coming from a mile away. Its impact on the characters is what makes it work though. This one final page with two lines of dialogue, sets up ramifications for the three characters featured that I for one am excited to read.
I haven’t mentioned Ryan Kelly’s art yet, don’t take that as a knock on him. As I said before, I haven’t been reading a lot of indie/creator owned work, which is why I hadn’t really heard of him before. I think he lays out a page that is at once interesting and very easy to read. His storytelling is very effective. Something that is usually a pet peeve of mine, but he nails it as well as the expressions of his characters. That being said, there were a couple of panels that confused me a bit as far as the characters expressions until I realized that there may be something going on there that we don’t realize yet. This took me from not liking the panels, to being intrigued by them. I may be reading too much into it, but that’s something that sold me on the book. It sets up a lot and leaves you wanting more. So in the end it is very much like X-Files in that regard. A great bit of mystery is set up and in case I haven’t said it enough: I can’t wait to see where these guys are going with it.
 
About Article Author: Sean Stoltey
Photo_07Sean Stoltey, writer, raconteur and retired rabble rouser, hails originally from California's Central Coast but currently resides in Southern California's BEAUTIFUL--San Fernando Valley. Screenwriter, Comic Book author, these are things he does because he's too poor to be a Producer or Publisher.
Sean has been reading comics, watching movies, reading books and selling his soul (or at least his hearing) to Rock'n'Roll for as long as he can remember. He has been discussing and arguing about these things for almost as long.
So now he has come here to throw his opinions in your face as well and hope that, even if you don't agree, hopefully you will enjoy them. For the record: Kirk was the greatest Enterprise Captain, Han was the only one that shot, Led Zeppelin was the greatest Rock band to walk the Earth and Keith Richards is the coolest undead person to walk the Earth. Coolest living people are my sons and my Mom and Dad. My Dad F---in' rocks, and my Mom can kick your ass.
You can ask Sean anything at http://www.formspring.me/WWest3001 contact him via twitter @WWest3001 or boring old e-mail at SeanStoltey@yahoo.com