Colette Miller Giving the World Wings
By Mike Ritchie
Her art has been influenced by many cultures including the Middle East, Europe, China, Tibet, Africa (where she painted a mural for an orphanage) and the Americas. She finds vast emotional, physical, mental stimulus and inspiration in the surrounding environment and her hand spreads the ideas across the canvas. She’s painted since childhood, making her designs reflect the peace of the composition’s subject and colors. The spiritualism used in its creation and found in its projection is a driving force in her desire to create a mystical remembrance.
Her angelic talent has caught the attention/interest of artistic minds from Kenya, West Virginia, Virginia, LA, Sydney and Washington DC with future work scheduled for New York and a recent trip to Australia commissioned by Arts Brookfield earned her seven spots at major properties in Perth, Melbourne and Sydney which were on display throughout October. A Nairobi Kenya boxing association named their team Koyale Wings Miller after her art.
She’s populated the world with around 30 pairs so far, from her current residence fittingly The City of Angels to the impoverished walls of Nairobi. She’s painted in some rough neighborhoods, intent to make her art instill feelings of safety and hope against the most barren and desolate backgrounds.
Her first pair was inspired from a need she saw in society to repel negativity in the spring of 2012 and by July she’d completed them. The collective message of each pair in part says “we can be angels in this world and the good in humanity.” They are at face value and in detail nice, pleasant images, unique to look at and full of abstraction and real symbols of peace. Life sized so people can stand between them and feel good about themselves, angelic, protected or all three. Her first two creations were graffiti art, though illegal, garnered positive attention from the community inspiring many to take spontaneous pictures with them and as more were made posting pictures on social media. After taking a movable pair to the Autumn Lights Festival and exposing them to a larger audience she was granted permission for a Main Street display by mutual friend Joe Moller via TK Nagano. She also received attention from the LA Mayor who came out, took photos and became a supporter.
She’s also looked into the camera’s eye veering into editing and producing for projects on water shortage in Burkina Faso, eco-news in Tibet and sustainable fishing in Alaska. Also presently in post is a film on corruption in Kenya. She also paints sets for TV and movies in LA.
For those familiar with the band GWAR, Miller has early musical ties to the band of dressed up monster players and gore-fed, spewing noise makers. From 1986-87, she embraced playing Amazina aka GWAR Girl, after sharing the stage briefly with Heather Broome aka The Temptress, who left in 1986, she was the sole female in the group in the early days of the original band performing on stage. Working construction to survive, enduring mother-nature’s wrath and cold showers while the band was living in the old dairy plant turned warehouse, the Milk Bottle, in Richmond Virginia she studied/worked on art, attending VCU. While attending university she also played keyboards in MILK, a spontaneous performance art band with Jim Thompson, Ron Curry, Tom Harris, Mark Linkous and Dave Brockie aka the voice of GWAR, Oderus Urungus. Miller along with the others did double duty a few times when Milk opened for GWAR putting the GWAR garb on directly after. Later on in ‘87 personal differences caused Miller to leave.
Vulvatron and her large prosthetic blood spewing breasts made their debut this year at Riot fest in Chicago. The slave pit will never be the same. Though the two represent complete different era’s, Vulvatron as a strong, empowered female role showcases the ascension and prominence of women in the once all male dominated world of metal. It remains to be seen if all the scumdogs of the universe accept an Oderus-less GWAR and their new gor-i-fied reigning queen. Miller will always hold dear and sacred the original inspiration and spirit of what a ragtag bunch of art-school students started as an oddity in the mid-eighties in a cold milk bottle shaped warehouse that spawned and spanned a 30 year history.
Miller’s wings have become her trademark, recently transcending mediums into stained glass. Her next upcoming project will be a trip to Juarez Mexico for four pairs promoting messages of hope for humanity and it’s revitalization against drug cartels and violence. She’ll continue making them as long as there’s a demand, desire, need and a personal calling to create them while giving the world hope.
First posted here http://www.shortandsweetnyc.com/2014/12/colette-miller-giving-the-world-wings/ on www.shortandsweetnyc.com
Xombiewoof Magazine Interviews Missing Persons’ Dale Bozzio 
originality, not a backtrack to the 80’s or a “comeback” attempt, but the creation of an audio tapestry that is, in essence, a tribute to who she was, is and will continue to be. “Missing In Action” was produced by the multi-talented Billy Sherwood, a member of the legendary progressive rock institution Yes, who worked closely with Dale to craft an album that can stand alongside the Missing Persons catalog while still showcasing Dale’s growth as both a performer and a person. Dale told me “it was amazing to work with Billy Sherwood, he could read me and we had a great creative chemistry”. In our interview, Dale reflected on the 10 song album, noting song titles rich with personal meaning such as “Do Or Die”, “Walk Into The Sun,” and “Speed Of Light”, ”The More We Love” and others are not just beautiful songs, they are also testimonials to her life. “I take things to the heart; I want to make things better for the world, I am not greedy or selfish, I just want to give”, I would say it is with this philosophy that Dale is able to create such great music. 
Released simultaneously,