Showing posts with label Introductions. Show all posts
Showing posts with label Introductions. Show all posts

Thursday, July 23, 2015

Angelic Voice sings Songs from the Darkness

An exclusive Interview with Allie Jorgen of Le Reverie on her career, her music and what lies ahead for her band.

10177359_708787005829490_146905432904017063_nIn the world of music, there are many talented artists that bring us songs of the deepest sorrows to the highest feelings of joy and excitement. It has been my luck to meet and know many of these talented artists, but, in truth, none excite me more than the Ladies of Rock. In a world dominated by men since it started, the Heavy Metal world is full of long haired Adonis types that would make you believe that the Vikings have landed or the devil walks the brightly lit stages of Hollywood. But in recent years, women have been talking the stage, not just because of gimmicks or revealing outfits, but because of their true talents and their courage to perceiver.

One such artists is Allie Jorgen of Le Reverie, her angelic voice masters the emotion and the microphone with a sublime vocal range and the music of a band that emanates mastery of the art.

In the following interview, I had the pleasure of collecting her thoughts on her life, her career and the future of a group that has lived a dream that so many pursue, yet so few obtain, and the fact is that what she has done is apparently only the beginning. Allie Jorgen is not just a leading lady, but proof of a woman’s power to succeed both on and off the stage.

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Q: When did it all start for you, the desire to sing and perform, and when did you know that you would create a sound that is uniquely your own?

Allie: I have been singing for as long as I can remember. My mother was a singer and we always had music around the house. My mother and father also wrote music for TV Commercials and when I was around 5 years old they recorded me singing in the background for a candy commercial and that was how it all started. My mother used to sit at the piano and I would sing simple melodies to her and she would show me how to play them on the piano, from there I began writing my first songs.

Q: Would you say that the hard rock and metal scene has opened up to women in the music world, or is it still only a place where few women with great courage, like yourself, can only thrive?

Allie: The music industry has definitely embraced women in Hard Rock and Metal recently, as there are many great female vocalists and musicians on the scene right now. But it was a rough road in the beginning and the door was opened by a few strong and innovative Hard Rock and Metal Females, Ann Boleyn of Hellion, Lita Ford and Joan Jett of The Runaways, Ann and Nancy Wilson of Heart and Doro of Warlock, just to name a few. The world of music was controlled and dominated by men back then and these females were told that Hard Rock and Metal were not for women. But these female artists proved that they could rock the world stages and the crowds accepted them as they accepted all their male idols.

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Q: Thinking of your band, how long until you came upon artists that sought the same in music and shared your vision of creativity?

Allie: It is always difficult to find other musicians and artists that share your same vision. We were extremely fortunate that we found a keyboard player (The Mysterious “O”) who was looking to start a “Gothic Rock” band at the same time we were looking to start one. His vision and songwriting style is a huge part of the Le Reverie sound. We were also extremely lucky to find such a unique guitar player that was able to write songs in our unusual writing method (the songs start on the drums) and create such great riffs and song structure that they inspired me to write the stories, melodies and vocal lines that created the songs on the “Dark Symphony” CD.

Q: As well as being a fabulous singer, you also write and cover the LA Music scene. How is it seeing the nighttime world from both sides of the stage?

Allie: Thank you. I have to admit that I had no idea how different the world would look from the business side of music. I am the Sr. Journalist and one of the Editors of the Online Magazine, LA Metal Media, as well as a Video Journalist and Artist Interviewer. It has been a really interesting journey. I understand the passion and frustration of the Artist, as well as the chaos and constant changing environment that the business side of the music industry is going through.

2000LEQ: Among your many triumphs, you have recently been instrumental in the creation of a movie soundtrack, what was it like to pen Le Reverie's Song "The Dream" that would lead off the movie Lake Eerie?

Allie: Well, the interesting thing about our song, “The Dream” is that it was written well before we even knew about the movie, Lake Eerie. It was created in our unique writing style with Roc, laying out the entire song on a drum track and sending it over to our guitar player. Jeff was then inspired by the song structure and wrote the chords and changes, the ‘Mysterious O” helped with some of the structure and put down the keyboard parts.

When they had a structure they all agreed with they gave the copy to me to come up with a story, melody and vocals. I remember that I was just getting over a really aggressive flu and I still had a fever, so everything seemed really surreal. So the song took on that type of a theme. “Is this real or is this a dream?” Le Reverie was the original name of the song (it is French for “The Dream”). The lyrics of the song started off with “Ghostly Figures In The Night” you see all kinds of things when you have a fever.

lanceAlmost a year later, we were performing at the Viper Room in Los Angeles, and had our photographer shooting live photos of the show. After the show she mentioned a movie that was currently being filmed that was looking for music, it was a gothic horror film, and she thought our music would be perfect for the movie. She gave them our “Dark Symphony CD and when the Director heard the lyrics for “The Dream” he said, that we had written the words of the movie and he had to have the song. Maybe there was some kind of connection to him without either of us knowing about it.

Anyway the contracts were signed and the “The Dream” became the theme song for “Lake Eerie.” Le Reverie played at the Cast and Crew Wrap Party at the House of Blues on Sunset, with a huge Red Carpet event and all the stars in attendance. The star of the Lake Eerie Movie is Lance Henrikson who also starred in Aliens, Terminator and Pumpkin Head. Also in attendance was Henry Manfredini, the film music supervisor, who did all the music for Friday the 13th. It was really an honor to meet all the Cast and Crew of Lake Eerie and become part of “Team Lake Eerie” family.

Incredible thanks go out to the Director, Christopher Majors and Writer and Star of the movie, Meredith Majors for choosing our song and welcoming Le Reverie into their Lake Eerie family.

We are excited to announce the release of the film later this year, with our song “The Dream” over the back credits and they are planning a huge movie premiere in Los Angeles. Stay tuned to http://www.lereverie.com .

Q: Recently there have been many social media posts with you, your band and the legendary group Hellion, will your bands ever perform a double threat on the same stage?

AnnREdcarpetAllie: I met Ann Boleyn at a charity event called Rockers Against Trafficking, and I was actually there as a journalist to interview her regarding the event and her recent release “To Hellion and Back.” I was also there to find out about her new music release which would become the new CD “Karma’s a Bitch”. We talked about the event, which was a great event to raise awareness for all the young women who are kidnapped every year and sold. Ann also talked about the new band and the tour that would support the new CD. Ann is the original ‘Queen of Metal” and it was a privilege to talk to her and find out how it was to be a female in Hard Rock, back before it had ever been done. She is one of the true female leaders in the music industry and LA Metal Media is glad to be a big supporter of Hellion. We invited Ann Boleyn and her guitarist Maxxxwell Carlisle to the Lake Eerie Wrap Party at the House of Blues and Le Reverie was asked to open their Halloween show last October at Paladinos, the show was called “Halloween with Hellion”, and it was great to be able to share the stage with such a great band!

Q: What would you say is your most precious moment in music so far, and what can we expect from Le Reverie in the future?

Allie: There have been so many great moments, but we are really excited to have our song “The Dream” as the theme song for the film Lake Eerie. We were also honored to be part of the Hellion Halloween Party last year, and we were fortunate to be able to play the Grove in Anaheim and open the show for Prong. We were also able to reach people worldwide with our music, and to receive emails from people saying that our music helped them on some level is really extra special.

There are some interesting things going on with Le Reverie at the moment. We were asked to create some Heavy Blues Rock songs, which are a little different from our CD “Dark Symphony”, but we all have heavy blues rock roots, so it has been an interesting project.

We will also continue to write our Gothic Rock songs, as they seem to be the perfect fit for the Horror Film Genre, and we were actually told one of our songs would be a fit for a James Bond Film.

Q: If you could tell our readers anything at the moment, what would it be, please let us know what you are thinking.

Allie: There are so many people that I would like to thank, all of our friends and people that follow the band, people that we have met and work with LA Metal Media Magazine. Xombiewoof Magazine for all that you do to keep the music scene alive with the great features and interviews on Artists, I have learned a lot about other Artists from your magazine.

Our publicist, Doug Deutsch, who has been with us through all the highs and lows, one of the most important things I have learned is not to fear change. I used to never want to deal with change, but it is inevitable, you cannot stop it or ignore it, so I had to learn how to embrace it. Everything is changing, the Music Industry on the business side and the face of music in general. Do what you love, what is in your heart, and don’t be afraid to be different. Send your message out to everyone, because you never know who might be listening.

I would entreat you to check out the music of Le Reverie at http://www.lereverie.com , I am thrilled to be a supporter of Allie Jorgen, her music and the future of all great music everywhere. Special thanks to the band and their management, Doug Deutsch and everyone that made this article possible.


Tuesday, June 23, 2015

The Mighty Cash Cats new album The Ballad of Johnny and June do justice to the original outlaw of music.

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Long Live the Man in Black

CD / Album Review of The Ballad of Johnny and June

Recorded By The Mighty Cash cats

Produced by Michael J. Smith

The Mighty Cash Cats are:

  • Michael J. Smith - Lead Vocals / Guitar
  • Leticia Blumette - Lead and Backing Vocals / Bass
  • Oliver Thin - Guitar and Backing Vocals
  • Larry Anderson - Drums
  • Jimmy Calire – Piano and Hammond B3 Organ

Album Review by Joseph Timmons – Xombiewoof Magazine

1002071_557301464308931_1080728869_nFrom the moment he stepped out on stage, dressed all in black and in his god given subtle yet ominous voice, he would start every show with “Hello, I'm Johnny Cash”, the living legend inspired and elevated the music world and made a path into immortality not just for himself, but all that would follow in his footsteps. Cash was a musician that many tried to imitate, and often failed to do so, a one of a kind with an elegance in style and stature that was truly one of a kind. There was and would be nobody that could give a performance that would come close to the great one.

Until Now  !

The Mighty Cash Cats are not a tribute band, they don’t claim to be a reincarnation or put on airs. Like the man himself, The Mighty Cash cats are the real deal, performing his music and the music of his day with a sincere realism and love for the memory of Johnny Cash and his beloved June. In this group the sights and sounds are channeled, one would get the feeling that they have ben whisked away back to the time when muscle cars were king, a soda pop was a dime and the poodle skirt was all the fashion.

946207_563471893691888_1886289561_nFronted by Michael J. Smith as Johnny Cash and Leticia Blumette as June Carter, they emulate the grace and love for both the music and the life of Johnny Cash, and in this album The Ballad of Johnny and June, they have selected works that follow a progression most awe inspiring. I am especially fond of their renditions of “it Ain’t Me Babe”, “Ghost Riders In The Sky”, “Hurt” and “Ring of Fire”. I would like to say though, the title track “The Ballad of Johnny and June” as a fun and jaunty hayride, telling the story of Cash’s start, Sun Records, His Love for June and his accomplishments.

The Mighty Cash Cats are phenomenal in their humble and honest portrayals, and where as Michael J. Smith and Leticia Blumette don’t appear or sound like they are trying to imitate the original Romeo and Juliette of Nashville, they are as real and humble to the stage as the soul mates they emulate.

I suggest you get this album, if you love the Music of Johnny Cash, you will love The Mighty Cash Cats, visit their website http://www.mightycashcats.com and their Facebook Page for more info, tour dates and where to get their new CD The Ballad of Johnny and June.


Tuesday, January 13, 2015

LORD OF THE TRIDENT INTERVIEW

 

LORD OF THE TRIDENT – IN THE GROOVE PODCAST INTERVIEW

“ Our metal's so pure that only diamonds can scratch it, and usually the diamonds are the ones that end up getting hurt in the end. Our amps are so loud, Manowar knocked on our door and asked us to "please turn down". Don't let your girlfriends near LORDS OF THE TRIDENT, 'cause our music is guaranteed to make panties explode. You think you're bad? While you're watching our sweep picking wondering how they bend space-time to fit all the notes in, we'll punch you right in the face without missing a beat. “

In The Groove: Interview with Fang from Lords Of The Trident by Xombiewoof Magazine on Mixcloud


Wednesday, October 29, 2014

Album Review: Rosa’s Lounge by Howard and the White Boys

howard and the white boysHoward and the White Boys: Chicago’s favorite Sons, a Cool Breeze in the Windy City.

Album Review by Joseph Timmons: Xombiewoof Magazine

Howard & the White Boys, founded by Howard McCullum (Vocals, Bass), Jim Christopulos (Drums), Rocco Calipari(Guitar), Pete Galanis (Guitar), was formed in 1988 and began jamming together just for fun, but their fast-growing popularity soon convinced them they could make a career of it. Their reputation grew in Chicago and after a short period of times, and many great gigs, they got their first big break by opening for B.B. King. Soon after, they began performing with the biggest names in blues: Koko Taylor, Otis Rush, Albert King, Junior Wells, Lonnie Brooks, Luther Allison, Bo Diddley, and Chuck Berry. Howard and the White Boys sing the blues and live a musically charmed life to a loyal fan base that grows with every performance they play.

Rosa's Lounge, the most recent offering, is named after the legendary Chicago club where the band's new CD was recorded. Captured live on one of those magical nights where the crowd and band are both fueled with energy and passionate revel. Howard and the White Boys play one of its best sets ever, proving they are one of the best live Blues bands to grace the nighttime stage.

Rosa's Lounge has been touted as a favorite of many music critics and those in the know, The Chicago Sun-Times recently said "You can't see this high-energy, good time band at a club without leaving with a smile on your face." The band is now focusing on touring to support the new CD and working on material for their next one.

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Rosa's Lounge is an expression of human experience, songs of love, loss and all that lay between, Howard and The White Boys hit the nail on the head with this album, precision performance and a creative composition that makes this a great Live album to not only listen to, but you can’t help but want to sing along. This album is captivating and solid, with reverence to the Blues but a thoroughly light hearted approach. Rosa's Lounge speaks volumes in every song, from the powerful opening track Heat Seeing Missile to the 11th track That’s Alright, Rosa's Lounge is pure live excitement, Howard and the White Boys have certainly made their soft feathery bed of impassioned harmonious bliss, the Blues have been good to these fortunate sons of the Chicago music scene, in this “City on the Make”.

Check out their web site http://www.howardandthewhiteboys.net for more info, engagements and where to get their music, you can also find them on Facebook


Saturday, October 18, 2014

Album Review: RED TIDE RISING – The Rising

Reviewed by Joseph Timmons – Xombiewoof Magazine

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Red Tide Rising, hailing from Colorado, considered the “upstarts of the music scene” and well established for a band that is still quite new has revealed their breakout album The Rising have been invited by metal veterans Drowning Pool to open their 'unLUCKy 13' Autumn tour alongside Like A Storm and A Breach of Silence.

994105_10152124632260964_4102775678792151834_nRed Tide Rising, who will be out touring their Extended Version of The Rising, sees this as their path, to be able to support their release on this run with their friends in Drowning Pool. In interviews, Red Tide Rising frontman, Matthew Whiteman said "It's great to see bands like Drowning Pool that recognize the importance of helping out up and coming bands like Red Tide Rising by staying in touch over time and offering tour dates for us to gain exposure and have the opportunity to share our music".

Red Tide Rising is not just another metal band, with course vocals blended with harmonic presentation, supported with progressive rhythms set this band apart from many of their contemporaries. Skill such as theirs comes with years of practice, blood, sweat and many tears…. all of this proves that they are naturally gifted musicians with phenomenal talent and a destiny that only starts with greatness and skyrockets upward.

imageThe Rising is a fireball of power and energetically driven metal, set in technically accurate and highly passionate formulation. The title track The Rising is fast moving, driving and captivating, whereas the track Rising Tides is a slow yet hair raising instrumental. All songs on this album are soaking in emotional turmoil but sparks of hope within the messages, are like salvos of fireworks, bursting through, lighting up the valley of darkness, delivering you into the fold.

The song Vicious Circle is very poignant, as it is something we all have experienced, and only through a sense of pure determination, do we rise above… could this be the reason for the title The Rising, all our hopes and fears, all that would drag us down and suffocate us in a sea of madness, massive tentacles of pain and suffering… sheer death warded off by the awesome might of the Red Tide Rising, raising us up, for another gasp of air……?

Yeah, … Just that Effin’ Good !

 

Check out Red Tide Rising on their Website and all Social Media, Get to the Show, and be Swept away with The Tide! 

Buy The Album at Amazon.com

https://soundcloud.com/redtiderising

http://www.reverbnation.com/redtiderising

https://www.facebook.com/RedTideRising

https://www.facebook.com/RedTideRising/info?ref=page_internal

http://www.redtiderising.com/


Wednesday, October 8, 2014

Gabbie Rae - Her Scream is a Song to our ears

scream_cover_01GABBIE RAE’S “SCREAM” THE OFFICIAL MUSIC VIDEO AND ITUNES RELEASE

Most times you want to run from a screaming youth, however this time we want to flock to her, Gabbie Rae the sixteen year old vocal powerhouse is riding her current momentum by releasing the official music video for her first single "Scream" as well as the song for purchase on iTunes and all other major digital media outlets on Tuesday October 7th.

Recorded when she was 15 years old "Scream" was released exactly two weeks after her 16th birthday. Written by Patrick Kennison (The Union Underground / Heaven Below) and Chase Jentz “Scream” has been described as a crossbreed between Def Leppard's "Pour Some Sugar On Me" and Metallica's "Sad But True”. Gabbie Rae, a true phenomenon of LA’s hot and often unstable music scene is living proof that the pure of heart are the way of the future in music.

The “Scream” video was filmed and edited by Dave Stabley with Big Bad Dog Productions at various locations in and around the Los Angeles area in August. Shot over a three day period the video showcases Gabbie Rae’s infectious personality, visual impact and dynamic stage presence.

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Often referred to as “The Next Generation of Classic Rock” Gabbie Rae has been on the fast track over the past year making guest appearances and opening slots for Queensrÿche, Stryper, Great White, Joel Hoekstra (Night Ranger), Mike Tramp (White Lion), John Corabi and Dizzy Reed (Guns N Roses). Gabbie is not unknown to us at Xombiewoof Magazine, but we have to admit, her rise to Rock & Roll stardom in the city of lights id unprecedented and we expect more miraculous musical magic from this young Woman!

Gabbie Rae performed on the Monsters of Rock Cruise in March sharing the bill with the multiplatinum selling likes of Tesla, Cinderella, Winger and many others. She is confirmed to return to the Monsters of Rock Cruise which sails in April 2015.

Gabbie Rae recently turned up on the bill of “Septemberfest” held at the AVA Amphitheater at Casino Del Sol in Tucson as direct support to Great White, Stryper, Sebastian Bach and Extreme.

While Gabbie Rae’s management team works on her next move, she is currently preparing for a showcase performance at the House of Blues in Anaheim on January 24th on NAMM weekend in direct support to Great White.


You probably won’t have to wait very long for Gabbie Rae’s next venture as this girl doesn’t appear to be slowing down.

Check Out SCREAM, Gabbie Rae’s Latest Video Here on YouTube and at http://www.gabbieraerocks.com/


Friday, October 3, 2014

A Taste of Jazz Extraordinaire -No Fast Food - In Concert

Haynes No Fast Food COVERMusic / Album Review of No Fast Food - In Concert

Reviewed by Joseph Timmons: Xombiewoof Magazine

Available on Corner Store Jazz Records

Drummer & Composer Phil Haynes extend the tradition of the collaborative jazz trio with David Liebman and Drew Gress, presenting Double CD Set of Live material.

With his No Fast Food trio, the drummer, composer and new jazz mainstay Phil Haynes – along with the iconic tenor and soprano saxophonist Dave Liebman and the perennially in-demand bassist Drew Gress – has shaped a fluid unit that can confidently take its place alongside the celebrated combos which provided the very inspiration for the band, including the legendary Elvin Jones trio with Joe Farrell and Jimmy Garrison.

Eloquent and Sublime, No Fast Food In Concert is a masterpiece of Modern Jazz and Avant Experimentation in breathtaking ambience. On In Concert, recorded at New York State and Pennsylvania performances in 2012, No Fast Food – an outfit comprised of veteran musicians who unite experience with imperishable vitality – announces itself as one of the premier new jazz bands of the day.

As its name implies, No Fast Food is not in the business of providing only instant gratification, but rather the musical riches that come from a considered listening to the band, repaying any effort in full. Stressing intimate communication and the opportunity to creatively fill space or to keep it tantalizingly open, No Fast Food react with jaguar-like agility, each member responding to the other with live-wire resourcefulness.

No Fast Food is a logical outgrowth of Haynes’s extensive experience in trio contexts, including his celebrated work with the maverick trumpeter Paul Smoker.

The Artist has been quoted in interview, “The meaningful conversations that occur as three streams of information come together – that’s the magic of trios,” Haynes says. "There’s both this amazing individual clarity that can be achieved, as well as an equality of ensemble counterpoint. I wrote the music for this project for these particular players, yet when things work best, as they do on this recording; the sum of the whole is greater than the parts. If I do my job as a leader, No Fast Food will always sound like a collective.” Haynes continued to say, “You honor the masters by taking the music forward. With No Fast Food we’re looking for freshness. It’s not about fitting into a specific genre. We swing, we play open; we love composition and we love taking it apart and moving it all to a different space.”

Visit http://www.cornerstorejazz.com/shop to get this and other great Modern / Contemporary Jazz, also follow them on Facebook.


Friday, September 5, 2014

Album Review: The Hydrothermal Vents – Secrets of the Deep

10455456_720163621355529_5262892146545139109_nBy Joseph Timmons: Xombiewoof Magazine

Available on Bandcamp https://thehydrothermalvents.bandcamp.com

Formats: Vinyl, CD, Tape and Download

Quirky but not “Campish”, The Hydrothermal Vents is a Duo with a style and talent that is quite refreshing. With a sound similar to a mix of B-52’s, Talking Heads and Laurie Anderson, they have an underwater theme to their music on Secrets of the Deep that does not “get old” but is a toe tapping delight. I definitely loved this albums ability to simply bring a smile to my face while writing, but I did suddenly have a desire for seafood…. The vocals are crisp and clear against well written music Secrets of the Deep and I am 100% sure this is a sign of good things to come. Admittedly, I wish I got a Vinyl copy for review; the sounds are ambient and trail off like wisps of breath, on vinyl it is sure to be thrilling.

Hailing from Canada, The Hydrothermal Vents state that they are dance-rock/post punk band members John Tielli and Tessa Kautzman do a fabulous job channeling both the calm stillness of the ocean, yet at time the turbulence of a stormy sea. Multi-talented and well situated to take the alt / indie world by being truly unique among experimental and contemporary at the same time.

To quote a statement from their Facebook page “The charismatic Montreal duo known as The Hydrothermal Vents, boil with a chemistry that pulls listeners deep into their imaginative world. They were drawn together by a desire to create the ultimate dance music and by a mutual love of the Pixies, an influence which, along with other post-punk bands such as the Talking Heads and the B52’s, helped shape their sound. With an experimental spirit and dreamy lyrics, The Hydrothermal Vents have created an otherworldly aural habitat, which according the POP Montreal music festival, “feels retro and original all in the same track.” With this statement, I completely agree.

Check them out on their Bandcamp page, as well as the following locations:

SOUNDCLOUD: www.soundcloud.com/thehydrothermalvents

TWITTER: www.twitter.com/HydroVents

BANDCAMP: www.thehydrothermalvents.bandcamp.com

And if ever in Montreal, Quebec, find them and get to the show, they are rich, vibrant and dynamic, definitely one for the collection.


Wednesday, August 27, 2014

Statues of Cats, Chess, Grooving Geeks and Melancholy Memorabilia

statues of cats

Los Angeles Based Alt-Indie band Statues of Cats recent album Memorabilia is an irreverent and highly talented work.

yuki“Diligence is the mother of good luck.”

-Benjamin Franklin

Album Review: Memorabilia – available on 80/20 Records and on Bandcamp

Reviewed by joseph Timmons: Xombiewoof Magazine

catcoverThe world is full of nerds, we’re all a bit nerdy, really – some with video games, others with “Comicons”, all of us have something that invokes a surge of breathless wonder and excites the inner child that wants to do nothing more than play and slay dragons in our dreams. Ever see or hear a band that has the same effect on you as your favorite Sci-fi movie?

Statures of Cats is a four piece ensemble of artists that have created an undeniably catchy and somewhat irreverent ( as I have said before ) sound that keeps you listening and moves you to tippy tap your toes in measure with the music. Band members Daphne Greene and Jonney Machtig on Guitar, Anthony Salazar on Drums and Dan Rojas on Bass create a delightful and resounding “cacophony” of blissful tonality, with all the members doing vocals with grand harmony.

Do I sound a bit off to you, a bit “nerdy” in my prose and conjugation of verbs; well it’s all good to me…. That’s what Statues of Cats does with their music; it weaves a thought into your head that you have to follow. Nominated by L.A. Weekly as “Best Live Band of 2014”, Statues of Cats is a up and coming band with a fast growing following, able to cross musical divides, not being cast as a particular type of music, Memorabilia, stated as an EP is really a taste of what is forthcoming and I feel there will be more great wok coming from this quartet of quirk.

With influences that range from classic rock acts like Led Zeppelin and Queen, to more current Jack White, Red Hot Chili Peppers and Muse leanings. The band has toured and played extensively in and around the Los Angeles and surrounding area, playing venues like the Whiskey A-Go-Go, The Viper Room, and Sunset Strip House of Blues, as well as Silverlake mainstay The Satellite and others. In 2013 they played an event affiliated with Phoenix Comicon, further cementing the band's nerd-dom, and 2014 also marked Statues' first time playing Trans Pride LA.

I strongly advise you to seek the inner geek and follow Statues of Cats on the webiverse at the following links: