Showing posts with label Sony Legacy. Show all posts
Showing posts with label Sony Legacy. Show all posts

Wednesday, October 29, 2014

Music Review: Henry Mancini’s The Classic Soundtrack Collection

Henry_Mancini_Classic_Soundtrack_Collection_CoverHENRY MANCINI’S TIMELESS FILM MUSIC CELEBRATED IN THE CLASSIC SOUNDTRACK COLLECTION

Legacy Recordings to be released November 18th 2014

Pre-Order Now for the Holiday Season at Amazon.com

Music Review by Joseph Timmons: Xombiewoof Magazine

The 9-CD box set features 18 of Mancini’s most celebrated soundtrack albums with rare bonus tracks. Scores feature jazz and pop standards, including “The Pink Panther Theme,” “Moon River” (from Breakfast At Tiffany’s) and “Baby Elephant Walk” (from Hatari!)

If you have ever seen a movie filmed from 1950 to 1980, odds are it had the brilliant work of Henry Mancini, or was inspired by it. A name synonymous with the brilliance and comedy, mystery and romance, Mancini’s touch gave life to them all. And now, all of his work is available in one unique boxed set that will be the pick for the avid music collector as well as cinema authority.

Legacy Recordings, the catalog division of Sony Music Entertainment, will release the Henry Mancini’s The Classic Soundtrack Collection on Tuesday, November 18th. In a career that spanned nearly half a century, Henry Mancini became synonymous with catchy, jazzy, romantic music for film and television soundtracks. The Classic Soundtrack Collection, showcases all of Mancini’s soundtrack albums for the RCA, Epic and Columbia labels, including several of his most iconic and beloved scores.

HMancini_product_shotThe Classic Soundtrack Collection features 18 original Mancini soundtrack albums on 9 discs plus rare bonus tracks, including a never-before-heard version of “Nothing To Lose” from writer-director Blake Edwards’ 1968 comedy The Party performed by Julie Andrews. Taken together, the albums in this collection underline the enduring popularity of Henry Mancini and his unique ability to create movie music that pop audiences could also embrace.

From 1952 to 1958, Mancini was contracted to create soundtracks for films for Universal-International Studios, including the Oscar-nominated The Glenn Miller Story and the brassy, suspenseful score to Orson Welles’ Touch Of Evil. From there, Mancini gained widespread acclaim as an independent composer and arranger, winning four Oscars and 20 Grammy Awards during his career.

28ef5a435bed6dd139177099d74aecc0Mancini’s greatest collaboration may have been with Blake Edwards; they first worked together on Edwards’ 1959 television series Peter Gunn. The iconic jazz theme was an international hit and winner of two Grammy Awards and an Emmy Award. The duo would collaborate on such films as Breakfast At Tiffany’s (featuring the immortal pop standard “Moon River,” written by Mancini with lyricist Johnny Mercer) and the Pink Panther series of comedies (the slinky, saxophone-driven instrumental theme remains one of cinema’s most recognizable standards).

Elsewhere in Hollywood, Mancini earned critical and commercial acclaim with scores to films like Hatari! Starring John Wayne and featuring the playful “Baby Elephant Walk”; the Cary Grant/Audrey Hepburn mystery Charade, and the comedy-drama Two for the Road, Mancini’s personal favorite of the many themes he composed.

In most of my reviews when it comes to multi-album collections or greatest hits, I try to pick out the best of the best, with the Henry Mancini’s The Classic Soundtrack Collection it is just not possible, each album is a masterpiece unto itself, worth of attention and praise, but together you have what is the most remarkable music ever created for the cinema but one who understood the connection between imagery and sound and could with a wave of his hand conduct an ensemble to make you laugh, cry or shout in joy. The Henry Mancini’s The Classic Soundtrack Collection is the brightest jewel of the upcoming holiday gift selections.

But don’t tell the Pink Panther that….

pink_panther_11_4038ALBUMS INCLUDED IN THE CLASSIC SOUNDTRACK COLLECTION:

  • High Time (1960)
  • Breakfast At Tiffany’s (1961)
  • Experiment In Terror (1962)
  • Hatari! (1962)
  • Charade (1963)
  • The Pink Panther (1964)
  • The Great Race (1965)
  • Arabesque (1966)
  • What Did You Do In The War, Daddy? (1966)
  • Two For The Road (1967)
  • Gunn (1967)
  • The Party (1968)
  • Me, Natalie (1969)
  • Darling Lili (1970)
  • Visions Of Eight (1973)
  • Oklahoma Crude (1973)
  • The Return Of The Pink Panther (1975)
  • Who Is Killing The Great Chefs Of Europe? (1978)

 

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Visit the Official Facebook for Henry Mancini and go to Legacy Recordings for more Info and Great Collections


Tuesday, October 28, 2014

Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection Now Available Today

Epic Records and Legacy Recordings Release to Celebrate Stevie Ray Vaughan's 60th Birthday Year and an Illuminated Career

1293785_orig_thumb7Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection.

Definitive 12 Disc SRV & DT Library Includes 1st Commercial Release of 1983's A Legend In The Making - Live at the El Mocambo Toronto Concert.

Legacy Recordings, the catalog division of Sony Music Entertainment, and Epic Records celebrate electric blues guitarist Stevie Ray Vaughan has released Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection, this definitive career-encompassing 12 disc library brings together, for the first time, the entirety of Stevie Ray Vaughan and Double Trouble's official studio and live album canon including the inaugural commercial release of A Legend In The Making, a highly collectible (formerly) promotional only recording of SRV & DT's incendiary performance at Toronto's El Mocambo club in 1983. In addition, The Complete Epic Recordings Collection features two discs compiling rare and hard-to-find archival tracks.

SRV_thumb2On April 26, 2014, Stevie Ray Vaughan and Double Trouble were among the artists to be inducted into the newly created Austin City Limits Hall of Fame, launched in celebration of the 40th anniversary of the PBS televised concert series. The Austin City Limits Hall of Fame induction ceremony will air on PBS in October 2014. Stephen Ray Vaughan was born in Dallas, Texas on October 3, 1954, the same year the Fender Stratocaster went into production. Stevie Ray picked up his first six-string at the age of 7, dropped out of high school in 1971 and moved to Austin in '72, going on to become one of the most influential and electrifying blues guitarists ever.

I remember seeing Stevie Ray Vaughan perform with Living Color only a few days before he died in a helicopter crash on August 27, 1990, his death devastated the music community, and the world as a whole. Though his mainstream career lasted a mere seven years, Stevie Ray Vaughan's enduring contribution to the blues can be heard in the work of younger players including John Mayer, Derek Trucks and Mike McCready of Pearl Jam.

Stevie Ray Vaughan was the recipient of numerous musical award, during his lifetime and posthumously. In 1983, readers of Guitar Player voted him as Best New Talent and Best Electric Blues Guitar Player. In 1984, the Blues Foundation named him Entertainer of the Year and Blues Instrumentalist of the Year, and in 1987 Performance Magazine honored him with Rhythm and Blues Act of the Year. Earning six Grammy Awards and ten Austin Music Awards, he was inducted into the Blues Hall of Fame in 2000 and the Musicians Hall of Fame in 2014. Rolling Stone ranked Vaughan as the twelfth greatest guitarist of all time.

SRV2_thumb10

Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection of albums- In The Beginning, Live at Montreux, Texas Flood, A Legend In The Making: Live at The El Mocambo, Couldn’t Stand the Weather, Live at Carnegie Hall, Soul To Soul, Live Alive, In Step and the final album Archives, which is a collection previously unreleased, is a living tribute to a musical master taken too young and too soon.

From first track to last, this collection is magnificent. This will be a complete anthology of an artist that revitalized and revolutionized a genre of music while keeping it complete and in itself, like his playing and live performances, Flawless.

For more information go to http://www.legacyrecordings.com

 


Dave Davies is “Rippin” it up once more

DaveDaviesRippinUpTimeCovermedresLegendary Dave Davies releases his newest and most awaited offering, “Rippin Up Time”.

Hitting Stores Today - on the Legacy Recordings Label.

Album Review by Joseph Timmons: Xombiewoof Magazine

Dave Davies, founding member of The Kinks and the one man attributed with the invention of amp distortion, (for reason of his taking a blade to the cone of an amp speaker, “Ripping” the very fabric of sound ad altering the timeline of all music to come) presents to the Rock & Roll loving community an album that is both provocative and humbling, reflective and a personal examination of one’s life through open eyes, Rippin Up Time, is now available. Dave Davies has been single handedly been noted as the musical genius that inspired Rock Legends from Van Halen to Green Day.

The album Rippin Up Time, produced by Dave Davies and David Nolte, features 10 new and original tracks, reminiscent of the classical and beloved “Kinks” style, yet wholly new and innovative in composition. While being very modern sounding, it still retains Dave’s “Smokey” vocal style. Dave explained in interview his feelings about creating and recording this new ground shaking album “It was wonderful working with my son Russ Davies and old friend David Nolte on this project, I am really excited about this album”, Davies went on to comment “Rippin Up Time is about a man’s reflections of his past, his fears, anxieties and optimism about the present and hopeful expectations of the future”

Rippin Up Time’s release today coincides with Dave Davies plans for his Us Tour starting November 11th, 2014 at the Turner Ballroom in Milwaukee Wisconsin and the prior Legacy recordings release of career spanning collection Anthology titled The Essential Kinks, celebrating 50 Years of The Kinks Music and the upcoming release of the Newly Remastered edition of Muswell Hillbillies, the Kink’s “masterpiece of working class observation”, containing all original the content of the original album and 9 Bonus Tracks, never before released and a DVD of a rare 1972 television performance never released in North America.

In Review, Rippin Up Time is bold, expressive and well worth the wait, Davies compels the listener to examine and self-evaluate, connecting with the listener on every deep rooted level, in plain verse, without misguided questioning or symbolisms, Dave Davies brings home the message of life’s never ending quest for significance. In both a serious nature, with songs like the title track Ripping Up Time, and Semblance of Sanity, the question of a man’s place in the universe comes into play, and when does one reach a breaking point. One track I found most endearing and quite humorous, King of Karaoke is a story well known of dark and smokey bars with would be rock stars never discovered, singing their favorite songs hoping for some acknowledgement of their talent, often fueled by liquid courage while retired prom queens attempt to regain admiration as well.

If you love Rock with meaning, songs with mirth and music with a message, Rippin Up Time is an album you need to own, listen to and share, even if it’s only with your fellow late night bar hounds, reminiscing of the Good Old Days and singing Lola while drinking on a Low Budget,… sorry, a play on the fabulous history of a great performer and talented artist.

Dave Davies, Here’s to you Mate!

More at http://www.legacyrecordings.com and http://www.davedavies.com


Album Review: Holiday by Earth, Wind & Fire

image001Blessed is the Soul of Man in the light of Heaven

Album Review by Joseph Timmons: Xombiewoof Magazine

Earth, Wind & Fire has been and still is on the cutting edge of R&B, time and time again their albums have made the top of the list of every chart possible, so it is no wonder that this iconic group would come out with a holiday celebration album that merges traditional songs of Joy with new creations of inspiration.

Simply named Holiday, the newest and soon to be revered offering by Earth, Wind & Fire, brings the reason for the season home with enchanting stylizing of the traditional favorites, Winter Wonderland, Sleigh Ride, Jingle Bell Rock, Joy to the World, yet also gives us new original compositions titled Every day is Christmas, Happy Seasons and December which are illuminating and uplifting.

Holiday is Earth, Wind & Fire’s 21st studio album, their last album, Now, Then & Forever, also under the Legacy label debuted in the top of the Billboard 200 on its release in 2013, one of the bands highest charting albums.

Holiday is an inspiring testament to the joy of faith and in the belief of brotherhood and unity through love and understanding, and under the guiding light of the eternal spirit, we are one. Start this Holiday season off right and give yourself this gift of music, forged by Earth, Wind & Fire, and May the spirit of peace guide you home.

Visit http://www.earthwindandfire.com and http://www.legacyrecordings.com for more info and to add this title to your soulful collection of great music.

On the Legacy Recordings Label, Available Nationally through Retailers and on Amazon.com

**not all tracks mentioned in Review**


Tuesday, September 2, 2014

Epic Records and Legacy Recordings Celebrate Stevie Ray Vaughan's 60th Birthday with Release of Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection.

Definitive 12 Disc SRV & DT Library Includes 1st Commercial Release of 1983's A Legend In The Making - Live at the El Mocambo Toronto Concert.

SRV_CAC_cover_comps.inddStevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection Available Tuesday, October 28.

Legacy Recordings, the catalog division of Sony Music Entertainment, and Epic Records celebrate electric blues guitarist Stevie Ray Vaughan with the release of Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection (http://smarturl.it/SRV_CEAC_amzn) on Tuesday, October 28, 2014.

A definitive career-encompassing 12 disc library, The Complete Epic Recordings Collection brings together, for the first time, the entirety of Stevie Ray Vaughan and Double Trouble's official studio and live album canon including the inaugural commercial release of A Legend In The Making, a highly collectible (formerly) promotional only recording of SRV & DT's incendiary performance at Toronto's El Mocambo club in 1983.

In addition, The Complete Epic Recordings Collection features two discs compiling rare and hard-to-find archival tracks.

On April 26, 2014, Stevie Ray Vaughan and Double Trouble among the artists to be inducted into the newly created Austin City Limits Hall of Fame, launched in celebration of the 40th anniversary of the PBS televised concert series. The Austin City Limits Hall of Fame induction ceremony will air on PBS in October 2014.

Stephen Ray Vaughan was born in Dallas, Texas on October 3, 1954, the same year the Fender Stratocaster went into production. Stevie Ray picked up his first six-string at the age of 7, dropped out of high school in 1971 and moved to Austin in '72, going on to become one of the most influential and electrifying blues guitarists ever. After honing his chops in a variety of bands throughout the '70s, Stevie Ray formed his own group, SRV & Double Trouble, in 1978. Hell-bent and intent on revitalizing the blues for contemporary audiences, Stevie Ray served as the power trio's charismatic frontman and evangelical electric guitarist, driven and underscored by drummer Chris Layton and bassist Tommy Shannon.

Stevie Ray and Double Trouble's reputation as a transcendent live experience gained considerable traction following a watershed performance at the Montreux International Jazz Festival in 1982 (included in The Complete Epic Recordings Collection). Recommended to the label by A&R giant John Hammond, Stevie Ray Vaughan and Double Trouble recorded the band's studio debut, Texas Flood, for Epic Records in 1983. Going on to achieve RIAA double platinum status, Texas Flood opened the gates for a flow of gold, platinum and multiplatinum albums for Stevie Ray Vaughan and Double Trouble, an unprecedented achievement for any blues act.

Stevie Ray Vaughan died in a helicopter crash on August 27, 1990, following an awe-inspiring performance with Double Trouble and Eric Clapton at the Alpine Valley Resort in Wisconsin. Though his mainstream career lasted a mere seven years, Stevie Ray Vaughan's enduring contribution to the blues can be heard in the work of younger players including John Mayer, Derek Trucks and Mike McCready of Pearl Jam.

Stevie Ray Vaughan was the recipient of numerous musical award, during his lifetime and posthumously. In 1983, readers of Guitar Player voted him as Best New Talent and Best Electric Blues Guitar Player. In 1984, the Blues Foundation named him Entertainer of the Year and Blues Instrumentalist of the Year, and in 1987 Performance Magazine honored him with Rhythm and Blues Act of the Year. Earning six Grammy Awards and ten Austin Music Awards, he was inducted into the Blues Hall of Fame in 2000 and the Musicians Hall of Fame in 2014. Rolling Stone ranked Vaughan as the twelfth greatest guitarist of all time.

Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection will be an anthology and a complete tribute to an artist that revitalized an genre of music while keeping it complete and in itself, like his playing and live performances, Flawless.

For more information go to http://www.legacyrecordings.com


Tuesday, August 26, 2014

BOB DYLAN'S THE BASEMENT TAPES COMPLETE: THE BOOTLEG SERIES VOL. 11 SET FOR NOVEMBER 4 RELEASE BY COLUMBIA RECORDS/LEGACY RECORDINGS

Reproduction allowed only with written agreement from Elliott LandyMeticulously Restored for the First Time from Newly Found Original Tape Sources, Six Disc Set is Definitive Chronicle of Dylan's Legendary 1967 Sessions with The Band

Special Two Disc Edition, The Basement Tapes Raw: The Bootleg Series Vol. 11 Presents Highlights From The Basement Tapes Complete

Columbia Records/Legacy Recordings will release Bob Dylan's The Basement Tapes Complete: The Bootleg Series Vol. 11 (http://smarturl.it/BD_basement_amzn) on November 4. Compiled from meticulously restored original tapes – many found only recently – this historic six-disc set is the definitive chronicle of the artist's legendary 1967 recording sessions with members of his touring ensemble who would later achieve their own fame as The Band.

The Basement Tapes Raw: The Bootleg Series Vol. 11, a two-disc version of highlights from the deluxe edition, will also be released on November 4. This will also be issued as a 3 LP set on 180-gram vinyl.

Among Bob Dylan's many cultural milestones, the legendary Basement Tapes have long fascinated and enticed successive generations of musicians, fans and cultural critics alike. Having transformed music and culture during the early 1960s, Dylan reached unparalleled heights across 1965 and 1966 through the release of three historic albums, the groundbreaking watershed single "Like A Rolling Stone," a controversial and legendary 'electric' performance at the 1965 Newport Folk Festival and wildly polarizing tours of the United States, Europe and the United Kingdom. Dylan's mercurial rise and prodigious outpouring of work during that decade came to an abrupt halt in July 1966 when he was reported to have been in a serious motorcycle accident in upstate New York.

Recovering from his injuries and away from the public eye for the first time in years, Dylan ensconced himself, along with Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson and, later, Levon Helm, in the basement of a small house, dubbed "Big Pink" by the group, in West Saugerties, New York. This collective, which would come to be known as Bob Dylan and The Band, recorded more than a hundred songs over the next several months including traditional covers, wry and humorous ditties, off-the cuff performances and, most important, dozens of newly-written Bob Dylan songs, including future classics "I Shall Be Released," "The Mighty Quinn," "This Wheel's On Fire" and "You Ain't Going Nowhere."

When rumors and rare acetates of some of these recordings began surfacing, it created a curiosity strong enough to fuel an entirely new segment of the music business: the bootleg record. In 1969, an album mysteriously titled Great White Wonder began showing up in record shops around the country, and Dylan's music from the summer of 1967 began seeping into the fabric of popular culture, penetrating the souls of music lovers everywhere. With each passing year, more and more fans sought out this rare contraband, desperate to hear this new music from the legendary Bob Dylan.

The actual recordings, however, remained commercially unavailable until 1975, when Columbia Records released a scant 16 of them on The Basement Tapes album (that album also included eight new songs by The Band, without Dylan).

A critical and popular success, The Basement Tapes went Top 10 in the US and UK, with John Rockwell, of The New York Times, calling it "one of the greatest albums in the history of American popular music," Paul Nelson, in Rolling Stone, praising the tracks as "the hardest, toughest, sweetest, saddest, funniest, wisest songs I know"' and the Washington Post noting that "...Dylan has to rank as the single greatest artist modern American pop music has produced." Robert Christgau gave the album an A+ rating in the Village Voice, where it topped the annual Pazz & Jop Critics Poll.

Over the years, the songs on The Basement Tapes have haunted and perplexed fans, with the recordings themselves representing a Holy Grail for Dylanologists. What's on the rest of those reels?

The Basement Tapes Complete brings together, for the first time ever, every salvageable recording from the tapes, including recently discovered early gems recorded in the "Red Room" of Dylan's home in upstate New York. Garth Hudson worked closely with Canadian music archivist and producer Jan Haust to restore the deteriorating tapes to pristine sound, with much of this music preserved digitally for the first time.

The decision was made to present The Basement Tapes Complete as intact as possible. Also, unlike the official 1975 release, these performances are presented as close as possible to the way they were originally recorded and sounded back in the summer of 1967. The tracks on The Basement Tapes Complete run in mostly chronological order based on Garth Hudson's numbering system.

Bob Dylan and his Band will be touring North America this Fall. Check bobdylan.com for details on August 27.

BOB DYLAN - THE BASEMENT TAPES COMPLETE: THE BOOTLEG SERIES VOL. 11

(all songs written by Bob Dylan unless otherwise noted)

CD 1

  • 1. Edge of the Ocean
  • 2. My Bucket's Got a Hole in It (written by Clarence Williams)
  • 3. Roll on Train
  • 4. Mr. Blue (written by Dewayne Blackwell)
  • 5. Belshazzar (written by Johnny Cash)
  • 6. I Forgot to Remember to Forget (written by Charlie A Feathers and Stanley A Kesler)
  • 7. You Win Again (written by Hank Williams)
  • 8. Still in Town (written by Hank Cochran and Harlan Howard)
  • 9. Waltzing with Sin (written by Sonny Burns and Red Hayes)
  • 10. Big River (Take 1) (written by Johnny Cash)
  • 11. Big River (Take 2) (written by Johnny Cash)
  • 12. Folsom Prison Blues (written by Johnny Cash)
  • 13. Bells of Rhymney (written by Idris Davies and Peter Seeger)
  • 14. Spanish is the Loving Tongue
  • 15. Under Control
  • 16. Ol' Roison the Beau (Traditional, arranged by Bob Dylan)
  • 17. I'm Guilty of Loving You
  • 18. Cool Water (written by Bob Nolan)
  • 19. The Auld Triangle (written by Brendan Francis Behan)
  • 20. Po' Lazarus (Traditional, arranged by Bob Dylan)
  • 21. I'm a Fool for You (Take 1)
  • 22. I'm a Fool for You (Take 2)

CD 2

  • 1. Johnny Todd (Traditional, arranged by Bob Dylan)
  • 2. Tupelo (written by John Lee Hooker)
  • 3. Kickin' My Dog Around (Traditional, arranged by Bob Dylan)
  • 4. See You Later Allen Ginsberg (Take 1)
  • 5. See You Later Allen Ginsberg (Take 2)
  • 6. Tiny Montgomery
  • 7. Big Dog
  • 8. I'm Your Teenage Prayer
  • 9. Four Strong Winds (written by Ian Tyson)
  • 10. The French Girl (Take 1) (written by Ian Tyson and Sylvia Tyson)
  • 11. The French Girl (Take 2) (written by Ian Tyson and Sylvia Tyson)
  • 12. Joshua Gone Barbados (written by Eric Von Schmidt)
  • 13. I'm in the Mood (written by Bernard Besman and John Lee Hooker)
  • 14. Baby Ain't That Fine (written by Dallas Frazier)
  • 15. Rock, Salt and Nails (written by Bruce Phillips)
  • 16. A Fool Such As I (written by William Marvin Trader)
  • 17. Song for Canada (written by Pete Gzowski and Ian Tyson)
  • 18. People Get Ready (written by Curtis L Mayfield)
  • 19. I Don't Hurt Anymore (written By Donald I Robertson and Walter E Rollins)
  • 20. Be Careful of Stones That You Throw (written by Benjamin Lee Blankenship)
  • 21. One Man's Loss
  • 22. Lock Your Door
  • 23. Baby, Won't You be My Baby
  • 24. Try Me Little Girl
  • 25. I Can't Make it Alone
  • 26. Don't You Try Me Now

CD 3

  • 1. Young but Daily Growing (Traditional, arranged by Bob Dylan)
  • 2. Bonnie Ship the Diamond (Traditional, arranged by Bob Dylan)
  • 3. The Hills of Mexico (Traditional, arranged by Bob Dylan)
  • 4. Down on Me (Traditional, arranged by Bob Dylan)
  • 5. One for the Road
  • 6. I'm Alright
  • 7. Million Dollar Bash (Take 1)
  • 8. Million Dollar Bash (Take 2)
  • 9. Yea! Heavy and a Bottle of Bread (Take 1)
  • 10. Yea! Heavy and a Bottle of Bread (Take 2)
  • 11. I'm Not There
  • 12. Please Mrs. Henry
  • 13. Crash on the Levee (Take 1)
  • 14. Crash on the Levee (Take 2)
  • 15. Lo and Behold! (Take 1)
  • 16. Lo and Behold! (Take 2)
  • 17. You Ain't Goin' Nowhere (Take 1)
  • 18. You Ain't Goin' Nowhere (Take 2)
  • 19. I Shall be Released (Take 1)
  • 20. I Shall be Released (Take 2)
  • 21. This Wheel's on Fire (written by Bob Dylan and Rick Danko)
  • 22. Too Much of Nothing (Take 1)
  • 23. Too Much of Nothing (Take 2)

CD 4

  • 1. Tears of Rage (Take 1) (written by Bob Dylan and Richard Manuel)
  • 2. Tears of Rage (Take 2) (written by Bob Dylan and Richard Manuel)
  • 3. Tears of Rage (Take 3) (written by Bob Dylan and Richard Manuel)
  • 4. Quinn the Eskimo (Take 1)
  • 5. Quinn the Eskimo (Take 2)
  • 6. Open the Door Homer (Take 1)
  • 7. Open the Door Homer (Take 2)
  • 8. Open the Door Homer (Take 3)
  • 9. Nothing Was Delivered (Take 1)
  • 10. Nothing Was Delivered (Take 2)
  • 11. Nothing Was Delivered (Take 3)
  • 12. All American Boy (written by Bobby Bare)
  • 13. Sign on the Cross
  • 14. Odds and Ends (Take 1)
  • 15. Odds and Ends (Take 2)
  • 16. Get Your Rocks Off
  • 17. Clothes Line Saga
  • 18. Apple Suckling Tree (Take 1)
  • 19. Apple Suckling Tree (Take 2)
  • 20. Don't Ya Tell Henry
  • 21. Bourbon Street

CD 5

  • 1. Blowin' in the Wind
  • 2. One Too Many Mornings
  • 3. A Satisfied Mind (written by Joe Hayes and Jack Rhodes)
  • 4. It Ain't Me, Babe
  • 5. Ain't No More Cane (Take 1) (Traditional, arranged by Bob Dylan)
  • 6. Ain't No More Cane (Take 2) (Traditional, arranged by Bob Dylan)
  • 7. My Woman She's A-Leavin'
  • 8. Santa-Fe
  • 9. Mary Lou, I Love You Too
  • 10. Dress it up, Better Have it All
  • 11. Minstrel Boy
  • 12. Silent Weekend
  • 13. What's it Gonna be When it Comes Up
  • 14. 900 Miles from My Home (Traditional, arranged by Bob Dylan)
  • 15. Wildwood Flower (written by A.P. Carter)
  • 16. One Kind Favor (Traditional, arranged by Bob Dylan)
  • 17. She'll be Coming Round the Mountain (Traditional, arranged by Bob Dylan)
  • 18. It's the Flight of the Bumblebee
  • 19. Wild Wolf
  • 20. Goin' to Acapulco
  • 21. Gonna Get You Now
  • 22. If I Were A Carpenter (written by James Timothy Hardin)
  • 23. Confidential (written by Dorina Morgan)
  • 24. All You Have to do is Dream (Take 1)
  • 25. All You Have to do is Dream (Take 2)

CD 6

  • 1. 2 Dollars and 99 Cents
  • 2. Jelly Bean
  • 3. Any Time
  • 4. Down by the Station
  • 5. Hallelujah, I've Just Been Moved (Traditional, arranged by Bob Dylan)
  • 6. That's the Breaks
  • 7. Pretty Mary
  • 8. Will the Circle be Unbroken (written by A.P. Carter)
  • 9. King of France
  • 10. She's on My Mind Again
  • 11. Goin' Down the Road Feeling Bad (Traditional, arranged by Bob Dylan)
  • 12. On a Rainy Afternoon
  • 13. I Can't Come in with a Broken Heart
  • 14. Next Time on the Highway
  • 15. Northern Claim
  • 16. Love is Only Mine
  • 17. Silhouettes (written by Bob Crewe and Frank C Slay Jr.)
  • 18. Bring it on Home
  • 19. Come All Ye Fair and Tender Ladies (Traditional, arranged by Bob Dylan)
  • 20. The Spanish Song (Take 1)
  • 21. The Spanish Song (Take 2)

BOB DYLAN- THE BASEMENT TAPES RAW: THE BOOTLEG SERIES VOL. 11

(all songs written by Bob Dylan unless otherwise noted)

CD 1

  • 1. Open the Door, Homer (Restored version)
  • 2. Odds and Ends (Alternate version)
  • 3. Million Dollar Bash (Alternate version)
  • 4. One Too Many Mornings (Unreleased)
  • 5. I Don't Hurt Anymore (Unreleased) (written by Donald I Robertson and Walter E Rollins)
  • 6. Ain't No More Cane (Alternate version) (Traditional, arranged by Bob Dylan)
  • 7. Crash on the Levee (Restored version)
  • 8. Tears of Rage (Without overdubs) (written by Bob Dylan and Richard Manuel)
  • 9. Dress it up, Better Have it All (Unreleased)
  • 10. I'm Not There (Previously released)
  • 11. Johnny Todd (Unreleased) (Traditional, arranged by Bob Dylan)
  • 12. Too Much of Nothing (Alternate version)
  • 13. Quinn the Eskimo (Restored version)
  • 14. Get Your Rocks Off (Unreleased)
  • 15. Santa-Fe (Previously released)
  • 16. Silent Weekend (Unreleased)
  • 17. Clothes Line Saga (Restored version)
  • 18. Please, Mrs. Henry (Restored version)
  • 19. I Shall be Released (Restored version)

CD 2

  • 1. You Ain't Goin' Nowhere (Alternate version)
  • 2. Lo and Behold! (Alternate version)
  • 3. Minstrel Boy (Previously released)
  • 4. Tiny Montgomery (Without overdubs)
  • 5. All You Have to do is Dream (Unreleased)
  • 6. Goin' to Acapulco (Without overdubs)
  • 7. 900 Miles from My Home (Unreleased) (Traditional, arranged by Bob Dylan)
  • 8. One for the Road (Unreleased)
  • 9. I'm Alright (Unreleased)
  • 10. Blowin' in the Wind (Unreleased)
  • 11. Apple Suckling Tree (Restored version)
  • 12. Nothing Was Delivered (Restored version)
  • 13. Folsom Prison Blues (Unreleased) (written by Johnny Cash)
  • 14. This Wheel's on Fire (Without overdubs) (written by Bob Dylan and Rick Danko)
  • 15. Yea! Heavy and a Bottle of Bread (Restored version)
  • 16. Don't Ya Tell Henry (Alternate version)
  • 17. Baby, Won't You be My Baby (Unreleased)
  • 18. Sign on the Cross (Unreleased)
  • 19. You Ain't Goin' Nowhere (Without overdubs)

Musicians:  Bob Dylan, Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson, Levon Helm

(Lead vocals are sung by Bob Dylan. Harmony and instrumentation are unknown because all involved were multi-instrumentalists and vocalists, and no records remain.)

More Information at http://www.bobdylan.com


Friday, August 8, 2014

A Legacy of Jazz, Immortalized in the Moment, Live Forever

 

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Music / Album Review of the Sony Legacy Landmark "Live at Newport" Performances from Duke Ellington, Dave Brubeck, Ella Fitzgerald and Lionel Hampton, Exclusively Available for 1st Time Digitally on iTunes.

Article by Joseph Timmons: Xombiewoof Magazine

If you know anything about Jazz, where it comes from and how it began, you would be well versed in the importance of The Newport Jazz Festival. Since its inception as the "First Annual American Jazz Festival" in 1954, the Newport Jazz Festival set the standard for large scale outdoor summer music gatherings. Subsequent music festivals from Newport Folk through Montreux, Monterey Pop, Woodstock, Coachella and beyond have Newport Jazz to thank for establishing the concept and reality of a music community coming together for a shared outdoor concert experience.

1 - Album Artwork (2)Legacy Recordings, the catalog division of Sony Music Entertainment, celebrates the 60th Anniversary of the Newport Jazz Festival this summer with the first digital release of six classic "Live at Newport" albums, available exclusively on iTunes: iTunes.com/NewportJazz.

1 - Album Artwork (5)Jazz impresario and Newport Jazz Festival founder George Wein called Duke Ellington's 1956 concert at Newport, "the greatest performance of Ellington's career," adding that the music "stood for everything that jazz had been and could be." The digital edition of Ellington at Newport: The Original Album restores the record to its original sequence while adding four live performances that first appeared on Duke Ellington and The Buck Clayton All Stars at Newport (a companion album released in 1956).

1 - Album Artwork (3)Additionally, two of the exclusive new releases: Ellington At Newport: The Original Album and The Dave Brubeck Quartet: Newport 1958--have been newly remastered in 24-bit and Mastered for iTunes, this ensures that the music is delivered to listeners with increased audio fidelity that more closely replicates what the artists, recording engineers and producers intended. The Dave Brubeck Quartet: Newport 1958, originally released on Columbia Records, has also been remastered and is now available for the first time digitally. Remastered in 24 bit for iTunes, Brubeck's concert performance is a tribute to the music of Duke Ellington.

1 - Album Artwork (4)Personally, I feel the true significance of this historic release is the masterful work of Duke Ellington is once again brought to a new generation that may not understand the value of what he, as a composer and performer did for a form of music that is now a foundation of so many art forms and has inspired bot only his contemporaries, but artists and generations to come. Let’s look at the list of albums; it is a timeline of critical importance to today’s Jazz music, and all music as a whole-

· Duke Ellington - Newport 1958

· Duke Ellington - Live At Newport 1958

· Ellington at Newport: The Original Album

· The Dave Brubeck Quartet: Newport 1958

· Lionel Hampton - Reunion at Newport 1967

· Ella Fitzgerald - Newport Jazz Festival: Live At Carnegie Hall July 5, 1973

4 - Album ArtworkUnquestionably, these albums presented by Legacy Recordings, the catalog division of Sony Music Entertainment is both inspiring and exotic, like the voice of Ella Fitzgerald herself, Often referred to as the "First Lady of Song" and the "Queen of Jazz," she was noted to have a vocal range spanning three octaves and a glimmer in her eye that would captivate anyone in her gaze, her renditions in Jazz would be the talk of the town. The percussion craftsmanship of Lionel Hampton and his styled tempos, rhythms and measures set precedence in Jazz, and the work of Dave Brubeck and later, The Dave Brubeck Quartet would change the face of Jazz forever, a music once referred to as “A Devils Jig”, due to these giants of performance, would become a standard for composition, performance and give birth to new musical formations with each following generation of artists inspired by their work, and that of the master himself, Duke Ellington.

With these six classic "Live at Newport" albums, now available exclusively on iTunes at iTunes.com/NewportJazz, you can personally own this treasured collection instantly, and quite affordably, no need to search them out, just one click away from a lifetimes work, that will last forever.

Be immortalized in the moment, this is what heaven sounds like, swing baby swing!