Showing posts with label DJ's. Show all posts
Showing posts with label DJ's. Show all posts

Thursday, June 12, 2014

IK Multimedia Releases iRig BlueBoard Developer's Manual

Now developers can directly integrate the first wireless Bluetooth™ foot controller into their apps

IK Multimedia, a global technology company and leader in mobile music creation apps and accessories for iPhone, iPad and iPod touch, announced today the release of the developer's manual for iRig® BlueBoard, the first wireless pedalboard controller for MIDI and more. Now developers have more ways to integrate iRig BlueBoard directly into their apps.

Experience Total Hands-Free Control

iRig Blueboard is the first wireless pedalboard that uses Bluetooth LE 4.0 to transmit signals to control app functions and features. Musicians currently use iRig BlueBoard with their favorite music making apps like IK's own AmpliTube and VocaLive as well as third party apps like forScore and Loopy HD - it's used to switch on virtual stompboxes, turn sheet music pages, play with volume and wah effects and switch pre-set patches on the fly.

IRig BlueBoard uses Bluetooth 4.0 (LE - Low Energy) technology to transmit the actions of its four onboard backlit footswitches - plus its two optional external devices - to any compatible iOS device, Android device, Mac or PC. Previously this was accomplished by using the iRig BlueBoard app, which worked in the background to convert Bluetooth signals into MIDI data and other control messages. Now with the iRig Blueboard Developer's Manual this can be done within app with direct integration.

A World of Wireless Interactivity


Initially created for musicians, iRig BlueBoard can now be used to work with and send control signals to virtually any kind of app: Game makers can now offer their players a greater degree of immersion and interaction. Educational apps can be made more functional - imagine hands-free page turning for textbooks, lectures or presentations. It also offers a different kind of control for creators of video and lighting apps (imagine triggering DMX lighting via footswitch). And of course music app developers can now seamlessly integrate iRig BlueBoard with virtual synthesizers, DJ apps, sample players and other music creation apps.

Pricing & Availability

The iRig BlueBoard Developers manual and license agreement is free and available from IK Multimedia. To get a copy, email: blueboardtm@ikmultimedia.com
iRig BlueBoard is sold around the globe in music and electronics retailers, and online from the IK Multimedia online store for $99.99/€79.99 (excl. taxes).


For more information, please visit: www.irigblueboard.com


Monday, April 22, 2013

Megadeth's Shawn Drover Invades WVOX's Metal Mayhem This Wednesday

 

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Megadeth drummer Shawn Drover will shed more light on the group's forthcoming album, Super Collider, the bands first release on Dave Mustaine's new label Tradecraft after signing an exclusive worldwide deal with Universal Music Enterprises via a special feature interview on WVOX's Metal Mayhem with hosts Matt O'Shaughnessy and Tony Gizzo this Wednesday, April 24th at 8:20pm EST on WVOX.com Worldwide and 1460 AM in New York.

The mega skinsman will also talk with Metal Mayhem about the upcoming Gigantour 2013, shows with Iron Maiden and more during the radio chat. Metal Mayhem comes at you in force every Wednesday from 7-9pm and Friday between 6-10pm and can be viewed from the main studio from anywhere in the world on WVOX.com

 

 


Monday, February 27, 2012

Review: Stanton SCS.4DJ Digital DJ Mix Station – Master the Mix

 

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In January I attended the 2012 NAMM Tradeshow and I was awestruck by the multitude of manufacturers exhibiting their newest additions to their lines. The floor was buzzing with excitement as we were given the opportunity to experience it all “Hands On” and I have to say I spent much time checking out the newest innovations for the Music Industry. Among the many new products I checked out was the latest in equipment for the DJs and the mixing of Digital Music. There were many to choose from, some would link to PC / Mac systems, some to iPads / iPods, some to large mainframe systems, etc. I would like to say that all of them impressed me, but some were just too bulky or some too confusing, or required a master’s degree in software configuration, this was a bit of a distress because the typical DJ needs a system that, in my opinion, is lightweight, durable and can make the DJ’s job easier. No offence to the many quality products at the show, but I was not very satisfied, that is until I saw and was instantly and completely “floored” by the new SCS.4DJ Digital DJ Mix Station by Stanton, a company whose name is synonymous with the art of the DJ, and well known throughout the industry as one of the first names in DJ technology.

The SCS.4DJ Digital DJ Mix Station is, in my opinion, the best of the new DJ Equipment presently available. From the first moment it is obviously created with the DJ’s needs in mind. From it’s both stunning and easy to navigate design, solid construction, versatile input / output features and its “lifelike” feel of the platters, otherwise called “Jog Wheels”. The Stanton SCS.4DJ Digital DJ Mix Station is a complete solution to the needs of both the amateur and professional DJ in mobile and studio settings. The Stanton SCS.4DJ is a fully integrated system that offers one button automatic synchronization and an embedded computer that assists in the mixing and “Beat Matching” at the use of a single button. This particular feature is used in the “Auto-DJ” mode, which can be set to automatically mix music on a preset playlist and even beatmatch the songs if desired. The Stanton SCS.4DJ Digital DJ Mix Station is designed to allow the person using it to become more creative and focus on the music, not on the machine, freeing the Dj’s mind to manage the mix and make the magic.

Here are the SCS.4DJ Tech Specifications: View on Site

Mic Preamp:

Equivalent Input Noise: < -112 dBu A-weighted, measured

Sensitivity @ clip: 14 dBu (trim at max)

Mic Input to Line Output:

SNR 20Hz-22kHz: > 99dB A-weighted

THD+N @1kHz, 20Hz-22kHz BW: < 0.007%

Frequency Response: 20Hz – 20kHz +/- 3 dB, +/-0.25dB 100Hz to 15kHz

Sampling: 24-bit, 44.1kHz

Digital Playback:

Frequency Response: 20Hz – 20kHz +/- 2 dB, +/-0.25dB 100Hz to 15kHz

Signal/Noise Ratio: >106 dB A-weighted

THD+N @1kHz, 20Hz-22kHz BW: 0.005%

Max Output Level: +14.5 dBu

Crosstalk (left to right): < -90dB @ 1kHz

Sampling: 24-bit, 44.1kHz

Headphone Amp:

Frequency Response: 20Hz – 20kHz +/- 3 dB, +/-0.25dB 100Hz to 15kHz

Signal/Noise Ratio: >90 dB A-weighted

Misc:

Fader Kill: -85 dB

Mic Input: 1/4" TRS

Master Outputs: RCA unbalanced, ¼" pseudo balanced

Headphone Output: ¼ ", 1/8"

Power: Supplied Adapter

Power Into 33 Ohms: 180mW RMS @ 0dBFS

Power Into 150 Ohms: 40mW RMS @ 0dBFS

Minimum Safe Load: 16 Ohms

DIMENSIONS & WEIGHT

Unit: 17.4" x 11.4" x 2.9" / 442mm x 291mm x 73mm

Box: 19.9" x 15.1" x 4.3" / 505mm x 383mm x 108mm

Weight: 5.0lbs

The Stanton SCS.4DJ Digital DJ Mix Station allows the DJ to draw their digital music from any storage facility a DJ would want to use, from a small USB memory stick, external drive, their pc / mac computer, smart phone or from an internal hard drive that can be installed by the owner, again versatility and flexibility is a key factor in the greatness of this mixing powerhouse. The Stanton SCS.4DJ has one feature that I did not see in any other mixing unit at the show, nor was it covered by any of their competitors, with the Stanton SCS.4DJ Digital DJ Mix Station the DJ can record their performance, from start to finish to a mass storage device which can be created and shared instantly by burning it to a thumb drive. This way, the DJ of a Wedding could provide the music and microphone dedications to the bride and groom to remember the soundtrack of their life’s first moments as man and wife.

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I like the simplicity of the Stanton SCS.4DJ design in regards to the placement of the Input and Output component connections. The Unit has both ¼” Jack and RCA outputs, 4 type A USB connections and 1 type B USB for connecting to a PC/Mac in MIDI control mode, ¼” and 1/8” Headphone outputs, a separate microphone input and a variety of controls that let you set your filters, effects, loops, delays and more. Each Jog Wheel has independent touch and scratch modes as well as cue, sync and tap. The slides and faders have genuine resistance and don’t feel loose or flimsy and the onboard computer system is very easy to navigate, set and produce. Offering real time cueing and full pitch and range of the digital waveforms, the Stanton SCS.4DJ Digital DJ Mix Station is a complete DJ solution.

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At the NAMM Tradeshow, I was able to get an interview with a Stanton Executive. In our interview I found that the key to the Stanton SCS.4DJ Digital DJ Mix Station is that it does not require the DJ to have a laptop, mixer, software or the multitude of accessories that some of the competitor products need to function. It’s all there in the Stanton SCS.4DJ, all onboard and works from day one, and whether the music is from the DJ’s library or from a personal cell phone or mp3 device, it’s all accessible and playable after track analysis. I would like to add that a great pairing to Stanton SCS.4DJ Digital DJ Mix Station is the KRK Rokit 5 monitors, a powered monitor system that is used by Grammy winning producers and musicians around the world, a pair of KRK Rokit 5 monitors were connected to the Stanton SCS.4DJ at the show, and it was a perfect match.

After the NAMM show, I was able to get a unit from the Stanton Company to put through our test and review process. First, we tested it in our offices, and it was everything it claims to be, and it was fun and easy to use. I personally, with no past DJ experience was able to mix down tracks, feed in beats and mix up some fantastic tracks. The ability to perform file browsing and use of the playlist system makes the SCS.4DJ work flawlessly with digital media, monitoring of the waveforms, combined with convincing scratch sounds and the overall perfect sound quality, it is just going to blow you away. The onboard software is better than many 3rd party PC Computer DJ software and Mac OS music mix programs.

Our in house DJ then took the Stanton SCS.4DJ Digital DJ Mix Station out to use at a show, he loaded his tracks and beats, set the unit up all ahead of time and then went to his show. He gave himself one hour to set up all the equipment and the Stanton SCS.4DJ while setting his turntables up as a backup and his other equipment on standby. He did a 2 hour show and never had to swap out any equipment, or mix from his turntables or other digital mixer. Our DJ had only 1 hour of time to learn about and work with the unit and the 1 hour to load in his tracks and set all his auto mixes. Our DJ was so impressed he went out the next day and bought a Stanton SCS.4DJ Digital DJ Mix Station for himself.

The Stanton SCS.4DJ Digital DJ Mix Station is exactly as promised; it is a full solution to the needs of a DJ that wants a high quality digital music mixing unit that allows the user to explore, innovate and perform to the maximum potential possible. I encourage you to visit the Stanton website at http://www.stantondj.com and check out this and the many other quality DJ products by Stanton as well as meet the Artists and Professionals that swear by their products.

Stanton is a division of Gibson Pro Audio.

Joseph Timmons

Xombiewoof.com Magazine


Sunday, February 26, 2012

Review: Ultimate Ears Custom “In-Ear” Personal Monitor System

 

DSCF5532When you think of a musicians monitor system, what comes to mind are huge PA System Monitors or stage equipment that blasts out the beats in defining levels or bulky headphones that can’t be used on stage because wires can get tangled or they fall off during a performance. As a musician, a drummer specifically, it was hard to hear what I was playing without having to aim the monitors directly at my head, which often made it hard to do what I needed to do without having to spend three hours or more after the performance hoping to get my hearing back. Recently while at the 2012 NAMM convention in Anaheim, I was excited to learn about and get fitted for a revolution in personal monitoring systems. The Ultimate Ears Custom “In-Ear” Personal Monitor System by Logitech is, I feel is what a personal monitor system is and should be- perfection!

 

 

DSCF5534The Ultimate Ears Custom “In-Ear” Personal Monitor System is designed to give the wearer the ability to hear music in its perfect tone and level, in short, it brings the music to you directly into the inner ear canal, no need raise the volume to damaging levels or try to listen for missed sounds while trying to “focus” on the part that you are trying to hear. Using the UE Custom System, you hear every note, sound and effect, and with the system being custom fitted to fit your ears perfectly, it also cancels out background noise so you only hear what you want. The word “Headphones” does not do the UE System justice, headphones cover the ear, but don’t focus the sounds into the ear and in addition, headphones mask and muffle pure sound because of the foam or cloth covers they have. The UE System may appear to be similar to ear-buds or ear plugs, but that is where the similarities end, because they are designed for perfect tone and pitch, they carry the music’s ambience and soft tones into the ear, so you hear more than Bass or High Notes, you hear all the tones High, Lows and Mids.

 

Here is an excerpt from the UE Website,

The Ultimate Ears In-Ear Reference Monitors are designed for professional studio engineers and producers for use during recording, mixing and mastering original music content. Other applications include FOH venue tuning, live recording and mixing. This is also an excellent product for “audiophile” or serious music listener because of its natural and authentic sound reproduction.

The Ultimate Ears In-Ear Reference Monitors are an industry first and are a combination of the Ultimate Ears pro audio sound along with a flat frequency response curve that has been developed & tuned in collaboration with the historic and widely respected Capitol Studios engineering team. The Ultimate Ears In-Ear Reference Monitors allow the user to record, mix and master anywhere, anytime because they provide up to -32 dB of noise isolation. Since they are noise isolating, there is no need to be concerned with environmental acoustics and noise. Lightweight and portable, they can be used as an honest base line reference source when recording and mixing in unfamiliar venues. In addition, they can be used on an airplane, in the waiting room or anywhere you can find time to work!

If you demand nothing but the best for recording, mixing or mastering, the Ultimate Ears In-Ear Reference Monitors provide the comfort, quality and sound that our professional artists and engineers have come to expect since 1995. They combine a new proprietary design featuring three speaker balanced armature speakers. Other new technology includes a rugged low profile, low distortion cable, dual acoustically tuned sound channels and multiple passive crossover points creating the ultimate in separation, detail and clarity.

 

Technical Specifications

Input Sensitivity: 98 dB @ 1 kHz

Efficiency: 112 dB @ 1 kHz, 1mW

Frequency Response: 5 Hz to 20,000 Hz

Impedance: 21 ohms @ 1 kHz

Internal Speaker Configuration: 3 proprietary precision balanced armatures

Noise Isolation: -26 dB (100% acrylic housing) and -32 dB (soft silicone material option)

Input Connector: ¼” jack adapter gold plated; 3 pole 1/8" (3.5 mm) standard jack

 

DSCF5536So, like I said, I was fitted for the UE4 Personal Monitors and after sitting in a chair with the Audiologist for less than 20 min, they made a perfect mold of my ear canals, and set them off to be made. Within 3 weeks my UE set arrived, and I would like to say this is not normal, they usually arrive much sooner, mine were delayed due to the high volume of orders at the NAMM convention. Upon arrival I used My UE Set for listening to some albums I was reviewing. The sound was incredible, I was able to hear everything and on each album, whether Classical to Metal, every note was audible, I missed nothing. I then went into my home studio and tested on the mixing table while I remixed some tracks I had from when I played drums with a band back in the 90’s, and I tell you, I wish I had the UE Set back then, not only did I hear parts of the song where “I should have” been better, but I found parts that were missed in the mix and would have made the tracks better.

 

 

Want to see who else feels the same about the UE System like I do, Click Here and see the professionals that trust their ears and their music to the Logitech Ultimate Ears Custom “In-Ear” Personal Monitor System. Logitech and the UE System do have many other quality models that are not custom and fit any and every budget or price point. Logitech and the UE designers have created units that can be purchased in locations such as Best Buy for use with personal digital players, computers and sound systems for the average home user that, even though are store bought, meet the quality and sound conscious levels of the UE Custom System, you can learn more about the consumer lines here: http://www.logitech.com/en-us/ue. Your hearing matters, using quality designed products that protect your hearing as well as promotes hearing music and tones better is the only logical choice, and so is Logitech’s Ultimate Ears Custom “In-Ear” Personal Monitor System.


Monday, October 31, 2011

WVOX's Metal Mayhem show in New York To Feature VH1 Classic's That Metal Show's Jim Florentine This Friday–Live!

 

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10849_101429716546405_100000381304464_37593_2712188_nNew York Area Exclusive! WVOX's Metal Mayhem show in New York To Feature VH1 Classic's That Metal Show's Jim Florentine This Friday !

Host Matt O'Shaughnessy will talk with wickedly - funny comedian and That Metal Show co-host Jim Florentine about his new "Cringe N Purge" album on Metal Blade Records and much more.

Fans can tune into the broadcast at 1460 am and wvox.com worldwide and also call in at 914-636-0110. WVOX's Metal Mayhem airs every Friday night between 6:00 pm – 10:00 pm and can now be seen on live web streaming at www.wvox.com!

 

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Check Out His Video ( Warning Strong Language – May not be suitable for children )


Monday, October 17, 2011

Free Performances: Bleepy Bloop Fest

Force Field PR & Hipster Runoff w/ PopGun Booking present: Bleepy Bloop Fest

Force Field PR, Hipster Runoff and PopGun Booking will be presenting Bleepy Bloop Fest at Cameo Gallery in Brooklyn, NY on Friday, October 21. Bleepy Bloop Fest will be a free event from 12am-4am that will feature DJ sets by Neon Indian, Teengirl Fantasy, Beach Fossils, Dent May, Tao Lin, and...Carles? No RSVP is required, but please leave your bad vibes at the door.


deadmau5 - SET FOR BASEBALL STADIUM SHOW OCTOBER 28 AT PETCO PARK IN SAN DIEGO

deadmau5 will headline his first baseball stadium show at PETCO Park in San Diego October 28. The show—previously set for October 26 at SOMA—also features sets from Tommy Lee & Aero and Feed Me with SOFI, along with special guest Sweden’s Avicii for his only appearance on the tour.

Meanwhile, deadmau5 caused a stir with the New York media:

“This Canadian dance producer concludes his six-night residency at Roseland with all of his trademark enticements: excellently deep progressive house and neo-trance music, staggering digital stage graphics and a terrifyingly oversized mouse head that he will wear determinedly through the night.”

—Stacey Anderson, New York Times preview (10/6/11)

“Think of Joel Zimmerman as a modern-day Superman or, maybe, a musical Mighty Mouse. He’s a thin, mild-mannered, 30-year-old Canadian until he dons his trademark helmet and becomes deadmau5, the brilliant underground electronic musician who’s elevated the style with whirling, intricate compositions.”

—Dan Aquilante, New York Post preview (10/1/11)

“If there are disciplines in which it's unadvisable to work behind a mask that evokes a creepy video-game character with giant mouse ears, "club-music DJ" is not one of them. As deadmau5 (that's "deadmouse" for those not into cryptograms), Canadian Joel Zimmerman has become a major star in a global dance-music network that finds itself intrigued, increasingly, by what is going on in the wilds of North America. It's a change of inflection for a culture that has identified as European since the dawn of rave, but the sound itself remains, as ever, less than concerned about geography. In the case of deadmau5, the sound is big and gleaming, muscular in places and mechanical in others—and all of it fit for spells of dancing or just jumping around when the big beat drops, as it often does.”

—Andy Battaglia Wall Street Journal preview (10/5/11)

“deadmau5, the electronic-house producer (known to his pals as Joel Zimmerman) with a certain fondness for rodentia-referencing headgear, kicked off his six-night run at Roseland Ballroom on Tuesday, October 4 with a bang, packing the massive venue with rabid fans—not to mention a mind-melting array flashing lights and sonic boom.”

—Bruce Tatum, Time Out New York (10/5/11) review; View photos at:
http://newyork.timeout.com/music-nightlife/nightlife/2038651/live-photos-deadmau5

“Tuesday night Joel Zimmerman, a.k.a. deadmau5, kicked off a record-breaking, six-night run at New York's Roseland Ballroom for his Meowington's Hax tour, breaking the venue's five-night record previously set by Rage Against the Machine....Hitting the stage around 11 p.m. and playing until just after 1, the show gave everyone in day-glo "mau5" ears, "copymau5" helmets and neon attire plenty of reasons to dance.”

—Gabi Porter, Metromix.com (10/5/11) review; View photos at:
http://newyork.metromix.com/music/standard_photo_gallery/deadmau5-roseland-ballroom/2851873/photo/2851868

“Between the synchronized lighting and the unreal sound system that Roseland Ballroom had to offer the … stop in NYC was unreal. He played all his tracks with slight remixes to some extent. Of course everyone went nuts as he dropped ‘Ghosts N Stuff.’ Even though the venue was packed out to max capacity it was enjoyable no matter where you were watching. The Meowingtons Hax was most definitely a plus.”

—Gradientmagazine.com review (10/9/11)

Named after his cat Professor Meowingtons, deadmau5’s Meowingtons Hax 40-plus date tour debuted at Lollapalooza in Chicago this past August where SPIN.COM hailed it as the #1 set at the festival. The show features incredible production—a spectacle of lights and LED (check out a clip from Lolla here: http://vimeo.com/27430969) which compliments deadmau5’s live repertoire of hits, classic cuts and brand new music. deadmau5 also helmed headliner slots at Outside Lands and the Virgin Mobile FreeFest, as well as sold-out four consecutive shows at the legendary Hollywood Palladium in Los Angeles.

deadmau5’s remaining Meowingtons Hax NORTH AMERICAN TOUR DATES FOR 2011:

DATE
CITY
VENUE

October 12, 2011
Boston
House of Blues (Sold Out)

October 13, 2011
Boston
House of Blues (Sold Out)

October 14, 2011
Boston
House of Blues*** (Sold Out)

October 15, 2011
Amherst, MA
Mullins Center – Univ of Massachusetts

October 16, 2011
Hartford, CT
XL Center

October 19, 2011
Bloomington, IN
Pic A Chic Farms

October 20, 2011
Detroit
The Fillmore

October 21, 2011
Detroit
The Fillmore

October 22, 2011
Chicago
Argon Ballroom (Sold Out)

October 23, 2011
Chicago
Argon Ballroom (Sold Out)

October 24, 2011
Kansas City, MO
Midland Theatre

October 27, 2011
Santa Barbara, CA
Santa Barbara Bowl

October 28, 2011
San Diego, CA
PETCO Park

October 29, 2011
San Francisco
Bill Graham Civic Auditorium+ (Sold Out)

October 30, 2011
Las Vegas, NV
XS @ Encore

November 3, 2011
Albany, NY
Washington Avenue Armory

November 5, 2011
Toronto
Rogers Centre***

*Excision and Tommy Lee & DJ Aero will not appear on 9/3
**Excision will not appear on 8/28, 9/2, 10/28
***Tommy Lee & DJ Aero will not appear on 9/3, 9/7, 9/8, 9/23, 9/24, 9/29, 9/30, 10/1, 10/5, 10/6, 10/7, 10/8, 10/14, 11/5
+Fat Boy Slim, A-Trak, Tommy Lee & DJ Aero and Feed Me also appear on this date.

Complete ticket and tour information is available at www.deadmau5.com and www.LiveNation.com.

www.deadmau5.com
www.facebook.com/deadmau5
www.twitter.com/deadmau5

www.ultrarecords.com


Thursday, September 22, 2011

Deadmau5 to Perform Santa Barbara Bowl–October 27th 2011

Nederlander Presents…

Deadmau5

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World-renowned electronic music producer/performer Deadmau5 is bringing his Meowingtons Hax tour to the Santa Barbara Bowl - Thursday, October 27th.

Supporting acts include Feed Me, Le Castle Vania, Jason Bentley and SOFI.

Tickets go on sale Saturday, September 24th at 11am

Deadmau5 plays original compositions, assembling tracks on the fly, using cutting edge computer technology, including software he’s helped write himself. “There are no CDs involved,” he explains. “It’s a technological orgy up there and I try and keep it more my music than anyone else’s. If people come out to see deadmau5, I want them to hear deadmau5 music.”

Named after his cat, Professor Meowingtons, Deadmau5’s Meowingtons Hax show features incredible production—a menagerie of lights!

 

Soon To Santa barbara

Don’t miss your chance to see Deadmau5 at the Santa Barbara Bowl on Thursday, October 27th!

imageTickets range from $33 to $50, plus applicable service charges. The Santa Barbara Bowl, celebrating 75 years, is located at 1122 N. Milpas St., Santa Barbara, CA 93103, 805-962-7411.

Tickets on Sale SATURDAY, September 24th at 11am

Tickets available at all Ticketmaster outlets including:

Arlington Theatre | Santa Barbara Bowl Box Office | Walmart

To charge by phone please call, 800-745-3000. Order online at www.ticketmaster.com

 

www.deadmau5.com - www.nederlanderconcerts.com - www.sbbowl.com